{"id":1251,"date":"2008-11-17T13:15:17","date_gmt":"2008-11-17T10:15:17","guid":{"rendered":"https:\/\/www.risaleforum.net\/blog\/?p=1251"},"modified":"2008-11-17T13:15:17","modified_gmt":"2008-11-17T10:15:17","slug":"kurana-hazirlik-okulu-risale-i-nur","status":"publish","type":"post","link":"https:\/\/risaleforum.net\/blog\/kuranikerim\/risaleinurda-kuran\/kurana-hazirlik-okulu-risale-i-nur.html","title":{"rendered":"Kur&#8217;an&#8217;a Haz\u0131rl\u0131k Okulu: Risale-i Nur"},"content":{"rendered":"<table border=\"0\" width=\"555\">\n<tbody>\n<tr>\n<td>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8220;\u015eeriat kitaplar\u0131, birer \u015feffaf cam mahiyetinde olmak l\u00e2z\u0131m gelirken, m\u00fcrur-u zamanla mukallidlerin hatas\u0131 y\u00fcz\u00fcnden paslan\u0131p hicab olmu\u015flard\u0131r. Evet bu kitaplar, Kur&#8217;\u00e2n&#8217;a tefsir olmak l\u00e2z\u0131m iken ba\u015fl\u0131ba\u015f\u0131na tasnifat h\u00fckm\u00fcne ge\u00e7mi\u015flerdir&#8230;&#8221;<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8230; Res\u00e2ili&#8217;n-Nur, ne \u015eark\u0131n m\u00e2l\u00fbmat\u0131ndan, ul\u00fbmundan; ve ne de Garb\u0131n felsefe ve f\u00fcnunundan gelmi\u015f bir mal ve onlardan iktibas edilmi\u015f bir nur de\u011fildir. Belki, semav\u00ee olan Kur&#8217;\u00e2n&#8217;\u0131n, \u015eark ve Garb\u0131n fevk\u0131ndeki y\u00fcksek mertebe-i ar\u015f\u00eesinden iktibas edilmi\u015ftir.<\/span><\/p>\n<\/td>\n<td><a class=\"thickbox\" href=\"https:\/\/www.risaleforum.net\/blog\/images\/resim\/kuranianlama.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"ngg-singlepic ngg-center\" src=\"https:\/\/www.risaleforum.net\/blog\/images\/resim\/kuranianlama.jpg\" alt=\"kuranianlama.jpg\" width=\"125\" height=\"162\" \/><\/a> \n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><!--more--><\/p>\n<p><span style=\"color: #993300;\"><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Kur&#8217;\u00e2n&#8217;a Adanm\u0131\u015f Bir Hayat<\/span><\/strong><\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><br \/>\n<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Risale-i Nur hakk\u0131nda ara\u015ft\u0131rmaya giri\u015fen herhangi bir insan\u0131n kolayl\u0131kla g\u00f6rebilece\u011fi bir husus vard\u0131r: Kur&#8217;\u00e2n&#8217;\u0131n vazge\u00e7ilmez \u00f6nceli\u011fi. T\u00fcm risaleler Kur&#8217;\u00e2n denizinden s\u00fcz\u00fclm\u00fc\u015f katreler, Kur&#8217;\u00e2n bah\u00e7esinden dev\u015firilmi\u015f \u00e7i\u00e7ekler sunar. Risale-i Nur&#8217;u b\u00fct\u00fcn\u00fcyle ku\u015fatan bu Kur&#8217;\u00e2n\u00ee iklim, m\u00fcellifinin d\u00fcnyas\u0131nda Kur&#8217;\u00e2n&#8217;\u0131n ta\u015f\u0131d\u0131\u011f\u0131 \u00f6nemin ve de\u011ferin de habercisidir. Said Nursi hakk\u0131ndaki en g\u00fc\u00e7l\u00fc ve en otantik hayat tarih\u00e7esi mahiyetini de ta\u015f\u0131yan Risale-i Nur, Kur&#8217;\u00e2n ikliminden r\u00e2yihalar sunarken, bu r\u00e2yihalar\u0131n m\u00fcellifine nas\u0131l bir hayat, nas\u0131l bir tefekk\u00fcr sonucunda ihsan edildi\u011fini de g\u00f6sterir. Risaleleri okurken elde etti\u011fimiz kimi ipu\u00e7lar\u0131yla, Said Nurs\u00ee, daha bebekli\u011finden itibaren Kur&#8217;\u00e2n&#8217;\u0131n talimi ve dersiyle hemhal olmu\u015f bir insan olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Gerek kendi eserleri, gerek hakk\u0131ndaki biyografiler, onun aile ve medrese \u00e7evresinde ge\u00e7en bebeklik, \u00e7ocukluk ve ilk gen\u00e7lik g\u00fcnlerinde teneff\u00fcs etti\u011fi Kur&#8217;\u00e2n\u00ee havaya dair yeterince fikir verir. Fakat, Van&#8217;da hen\u00fcz yirmisinde gen\u00e7 bir alim olarak bulunurken ya\u015fad\u0131\u011f\u0131 bir olay, bir bak\u0131ma hayat\u0131n\u0131n en kritik noktas\u0131n\u0131 te\u015fkil edecektir. Yakla\u015f\u0131k olarak 1899-1900 y\u0131l\u0131nda vuku bulan bu olay\u0131n onun d\u00fcnyas\u0131nda yol a\u00e7t\u0131\u011f\u0131 d\u00f6n\u00fc\u015f\u00fcm\u00fc, <span style=\"color: #993300;\"><strong>&#8220;Birinci \u015eua&#8221;<\/strong><\/span> adl\u0131 eserinde, kendi ifadeleriyle \u015f\u00f6yle okumaktay\u0131z:<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<blockquote>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8220;Risalet\u00fc&#8217;n-Nur m\u00fcellifi bir \u00fc\u00e7y\u00fcz onalt\u0131 s\u0131ralar\u0131nda m\u00fchim bir ink\u0131l\u00e2b-\u0131 fikr\u00ee ge\u00e7irdi. \u015e\u00f6yle ki:<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">O tarihe kadar ul\u00fbm-u m\u00fctenevviay\u0131, yaln\u0131z ilimle tenevv\u00fcr i\u00e7in merak ederdi, okurdu, okuturdu. Fakat birden o tarihte merhum vali Tahir Pa\u015fa vas\u0131tasiyle Avrupa&#8217;n\u0131n Kur&#8217;\u00e2n&#8217;a kar\u015f\u0131 m\u00fcthi\u015f bir su-i kasdlar\u0131 var oldu\u011funu bildi. Hatt\u00e2 bir gazetede \u0130ngilizin bir m\u00fcstemlek\u00e2t n\u00e2z\u0131r\u0131 demi\u015f:<\/span><\/p>\n<p><strong><br \/>\n<\/strong><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong><span style=\"color: #808080;\">\u2018Bu Kur&#8217;\u00e2n, \u0130sl\u00e2m elinde varken biz onlara hakik\u00ee h\u00e2kim olamay\u0131z. Bunun sukutuna \u00e7al\u0131\u015fmal\u0131y\u0131z&#8217;<\/span><\/strong> dedi\u011fini i\u015fitti, gayrete geldi. Birden makam-\u0131 cifr\u00eesi bin \u00fc\u00e7y\u00fcz onalt\u0131 olan <strong>\u2018fa&#8217;rid anhum&#8217;<\/strong> ferman\u0131n\u0131 m\u00e2nen dinliyerek bir ink\u0131l\u00e2b-\u0131 fikr\u00ee ile merak\u0131n\u0131 de\u011fi\u015ftirdi. B\u00fct\u00fcn bildi\u011fi ul\u00fbm-u m\u00fctenevviay\u0131 Kur&#8217;\u00e2n&#8217;\u0131n fehmine ve hakikatlar\u0131n\u0131n isbat\u0131na basamaklar yaparak hedefini ve gaye-i ilmiyesini ve netice-i hayat\u0131n\u0131, yaln\u0131z Kur&#8217;\u00e2n bildi. Ve Kur&#8217;\u00e2n&#8217;\u0131n i&#8217;caz-\u0131 manev\u00eesi ona rehber ve m\u00fcr\u015fid ve \u00fcstad oldu. Fakat maatteess\u00fcf o gen\u00e7lik zaman\u0131nda \u00e7ok aldat\u0131c\u0131 ar\u0131zalar y\u00fcz\u00fcnden bilfiil o vazifenin ba\u015f\u0131na ge\u00e7medi. Bir zaman sonra Harb-i Umum\u00eenin tarraka ve g\u00fcr\u00fclt\u00fcs\u00fc ile uyand\u0131. O sabit fikir canland\u0131, bilkuvveden bilfiile \u00e7\u0131kmaya ba\u015flad\u0131.&#8221;<\/span><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu ifadeler, \u00f6zellikle Eski Said&#8217;e dair genelde \u00e7izilen portreden farkl\u0131 bir tasvir sunmaktad\u0131r. Said Nurs\u00ee&#8217;nin ya\u015fad\u0131\u011f\u0131 <span style=\"color: #800000;\"><strong>&#8220;ink\u0131l\u00e2b-\u0131 fikr\u00ee&#8221;<\/strong><\/span> sonucu hayat\u0131n\u0131n gayesini yaln\u0131zca Kur&#8217;\u00e2n bildi\u011fi d\u00f6nemin yakla\u015f\u0131k yirmi y\u0131l\u0131, zahirde ba\u015fka meselelerle u\u011fra\u015f\u0131r g\u00f6r\u00fcnd\u00fc\u011f\u00fc bir devredir. Daha 1899&#8217;da yeg\u00e2ne gayesini ve hedefini Kur&#8217;\u00e2n&#8217;a talebe olup ona hizmet etmek \u015feklinde belirleyen Said Nurs\u00ee, d\u0131\u015far\u0131dan bak\u0131ld\u0131\u011f\u0131nda, \u00f6zellikle 1920&#8217;lere kadar, Medreset\u00fc&#8217;z-Zehra, h\u00fcrriyetin geli\u015fi, \u015eark\u0131n intibah\u0131, \u0130sl\u00e2m d\u00fcnyas\u0131n\u0131n terakkisi gibi meseleler etraf\u0131nda yo\u011funla\u015fm\u0131\u015f gibidir. Bu nokta, onun i\u00e7 d\u00fcnyas\u0131 ile d\u0131\u015f d\u00fcnya aras\u0131nda o d\u00f6nemde ciddi bir \u00e7at\u0131\u015fma ya\u015fand\u0131\u011f\u0131n\u0131n habercisidir. Anla\u015f\u0131ld\u0131\u011f\u0131 kadar\u0131yla, bu ara d\u00f6nemde i\u00e7 d\u00fcnyas\u0131 Kur&#8217;\u00e2n&#8217;a y\u00f6nelik \u00e7ok ciddi bir muhatabiyet gayretiyle \u015fekillenmi\u015f; ama bu gayreti <span style=\"color: #800000;\"><strong>&#8220;bilkuvve&#8221;den &#8220;bilfiil&#8221;e<\/strong><\/span> \u00e7\u0131karma noktas\u0131nda ciddi engellerle kar\u015f\u0131la\u015fm\u0131\u015ft\u0131r. Kendisinin<span style=\"color: #800000;\"><strong> &#8220;o gen\u00e7lik zaman\u0131nda[ki] \u00e7ok aldat\u0131c\u0131 ar\u0131zalar&#8221;<\/strong><\/span> diye ifade etti\u011fi bu engeller ba\u015fl\u0131 ba\u015f\u0131na bir ara\u015ft\u0131rma konusudur. Ama Risale-i Nur&#8217;un de\u011fi\u015fik bahislerinden hareketle, belli ipu\u00e7lar\u0131 edinmek de m\u00fcmk\u00fcnd\u00fcr.<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu <span style=\"text-decoration: underline;\">&#8220;ar\u0131zalar&#8221;<\/span>\u0131n, enf\u00fcs\u00ee ve \u00e2f\u00e2k\u00ee olmak \u00fczere, iki ana ba\u015fl\u0131k alt\u0131nda toplanabilece\u011fini san\u0131yoruz. D\u0131\u015f d\u00fcnyaya ili\u015fkin \u00e2f\u00e2k\u00ee engellerin ilki ve en \u00f6nemlisi, i\u00e7inde bulundu\u011fu ortamd\u0131r. Gen\u00e7 Said ba\u015f\u0131nda halifenin bulundu\u011fu, Me\u015fihat\u0131n ve y\u00fczlerce alimin halifenin yan\u0131nda yer ald\u0131\u011f\u0131, ve <strong>&#8220;\u015fer&#8217;-i \u015fer\u00eef&#8221;<\/strong>i anayasas\u0131 olarak kabul eden bir hil\u00e2fet devletinde ya\u015famaktad\u0131r. Hilafete y\u00fcklenen en \u00f6nemli g\u00f6rev ise, iman hakikatlerinin talim ve ne\u015fridir. Bu g\u00f6rev, esasen halifeye aittir. Said Nurs\u00ee, muhtemelen bu temelden hareketle, kendi i\u00e7 d\u00fcnyas\u0131nda Kur&#8217;\u00e2n\u00ee bir terbiye ya\u015farken, bunu d\u0131\u015f d\u00fcnyaya ta\u015f\u0131ma gibi bir g\u00f6revi hakl\u0131 olarak \u00fczerinde hissetmemi\u015ftir. Bunda o g\u00fcnk\u00fc toplumun <span style=\"color: #800000;\"><strong>&#8220;millet-i h\u00e2kimesi \u0130sl\u00e2m&#8221;<\/strong><\/span> diye \u00f6zetledi\u011fi g\u00f6r\u00fcnt\u00fc de \u00f6nem ta\u015f\u0131m\u0131\u015f olabilir. Her h\u00e2l\u00fck\u00e2rda, d\u0131\u015f d\u00fcnyadaki gayreti Medreset\u00fczzehra, istibdad\u0131n son bulmas\u0131, h\u00fcrriyetin gelmesi gibi, iman \u00e7al\u0131\u015fmas\u0131na g\u00f6re ikinci, \u00fc\u00e7\u00fcnc\u00fc derecede \u00f6nem ta\u015f\u0131yan siyas\u00ee, idar\u00ee ve i\u00e7tima\u00ee te\u015febb\u00fcslerde yo\u011funla\u015fm\u0131\u015ft\u0131r. K\u0131sacas\u0131, kendi ifadesiyle <span style=\"color: #800000;\"><strong>&#8220;siyaseti dine hizmetk\u00e2r yapma&#8221;<\/strong><\/span> gayesini g\u00fcderek <span style=\"color: #800000;\"><strong>&#8220;hayat-\u0131 i\u00e7timaiye-i \u0130sl\u00e2miye&#8221;<\/strong><\/span> ile me\u015fgul olmu\u015ftur. Bu ise, daha 1899&#8217;da ya\u015fad\u0131\u011f\u0131 <strong>&#8220;ink\u0131l\u00e2b-\u0131 fikr\u00ee&#8221;<\/strong>nin fiil\u00ee \u00fcr\u00fcnlerinin ortaya \u00e7\u0131kmas\u0131n\u0131 engellemi\u015f, yahut geciktirmi\u015ftir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">\u0130\u00e7 d\u00fcnyaya ili\u015fkin en \u00f6nemli ar\u0131za ise, san\u0131r\u0131z, bir <strong>&#8220;d\u00f6n\u00fc\u015ft\u00fcrme&#8221;<\/strong> problemiyle ilgilidir. Said Nurs\u00ee&#8217;nin \u00e7ocukluk ve gen\u00e7lik d\u00f6neminde, d\u00fczenli bir medrese e\u011fitiminden ge\u00e7mese de, yo\u011fun bir \u00f6\u011frenim faaliyeti ger\u00e7ekle\u015ftirdi\u011fi bilinmektedir. \u00d6ncelikle medreselerde okutulan hadis, tefsir, f\u0131k\u0131h gibi <strong>&#8220;din\u00ee ilimler&#8221;<\/strong> ve de mant\u0131k, gramer, edebiyat gibi <strong>&#8220;\u00e2let ilimler&#8221;<\/strong> alan\u0131nda ciddi bir birikim edinmi\u015ftir. Akabinde, fen ve felsefe alan\u0131nda yo\u011fun bir okuma faaliyetine giri\u015fti\u011fi bilinmektedir. Risale-i Nur&#8217;un de\u011fi\u015fik bahislerindeki ilgili notlar biraraya getirildi\u011finde, Said Nurs\u00ee&#8217;nin uzunca bir d\u00f6nem, edindi\u011fi bu <span style=\"color: #800000;\"><strong>&#8220;ilm\u00ee m\u00e2l\u00fbmat&#8221;<\/strong><\/span>\u0131 <span style=\"color: #800000;\"><strong>&#8220;iman\u00ee marifet&#8221;<\/strong><\/span>e d\u00f6n\u00fc\u015ft\u00fcrmenin form\u00fcl\u00fcn\u00fc arad\u0131\u011f\u0131 anla\u015f\u0131lmaktad\u0131r. <strong>&#8220;M\u00e2l\u00fbmat&#8221;<\/strong> odunlar\u0131n\u0131 <span style=\"color: #800000;\"><strong>&#8220;marifet&#8221;<\/strong><\/span> nurlar\u0131na d\u00f6n\u00fc\u015ft\u00fcrme zorunlulu\u011funu hissetmi\u015f; ve bunun form\u00fcl\u00fcn\u00fc buluncaya dek bu odunlar\u0131 ta\u015f\u0131mak durumunda kalm\u0131\u015ft\u0131r. Bu, onun s\u00f6zkonusu gayretini ilk anda <strong>&#8220;bilfiil&#8221;<\/strong>e \u00e7\u0131karmas\u0131n\u0131 engelleyen \u00f6nemli bir <strong>&#8220;ar\u0131za&#8221;<\/strong>d\u0131r. <span style=\"font-size: x-small;\">(\u00d6te yandan, bunun, Mesnev\u00ee&#8217;nin T\u00fcrk\u00e7e \u00f6ns\u00f6z\u00fcnde belirtildi\u011fi gibi, ba\u015fkalar\u0131n\u0131n ak\u0131l g\u00f6z\u00fcn\u00fc kapad\u0131\u011f\u0131 yerde g\u00f6z\u00fc a\u00e7\u0131k gitme imk\u00e2n\u0131n\u0131 sa\u011flad\u0131\u011f\u0131n\u0131 da belirtelim. Sonu\u00e7 bu a\u00e7\u0131dan semereli olmu\u015f; ama zaman alm\u0131\u015ft\u0131r).<\/span><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"color: #800000;\"><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bir Kur&#8217;an talebesinin ilk notlar\u0131<\/span><\/strong><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Velhas\u0131l, buna benzer ar\u0131zalar onun daha yirmisinde ya\u015fad\u0131\u011f\u0131 <strong>&#8220;ink\u0131l\u00e2b-\u0131 fikr\u00ee&#8221;<\/strong>nin fiil\u00ee \u00fcr\u00fcnlerinin ortaya \u00e7\u0131kmas\u0131n\u0131 geciktirmi\u015ftir. Ama, bununla birlikte, ya\u015fanan <strong>&#8220;ink\u0131l\u00e2b-\u0131 fikr\u00ee&#8221;<\/strong> sonucunda Kur&#8217;\u00e2n&#8217;a mutlak anlamda y\u00f6neli\u015fin habercisi olan kimi i\u015faretlere Eski Said&#8217;de de rastlamak olas\u0131d\u0131r. Muhakemat, bunun bir \u00f6rne\u011fidir. Bu eserin daha ilk sayfas\u0131ndaki <strong>&#8220;hamdele&#8221;<\/strong> k\u0131sm\u0131nda, Kur&#8217;\u00e2n&#8217;a dair, Said Nurs\u00ee&#8217;nin t\u00fcm hayat\u0131 boyunca i\u015fleyip geli\u015ftirdi\u011fi tahlilin anahatlar\u0131n\u0131 g\u00f6rmek m\u00fcmk\u00fcnd\u00fcr. Bu eserde Kur&#8217;\u00e2n&#8217;\u0131, ta\u015f\u0131d\u0131\u011f\u0131 anlama ilerleyen sayfalarda de\u011finece\u011fimiz bir vurguyla <strong>&#8220;Kur&#8221;\u00e2n-\u0131 Mu&#8217;ciz&#8221;<\/strong> olarak tan\u0131mlad\u0131ktan sonra, Said Nurs\u00ee \u015f\u00f6yle der:<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<blockquote>\n<p><span style=\"color: #800000;\"><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8220;\u00d6yle kitab ki: Kaideleri ile hilkat-\u0131 \u00e2lemin kitab\u0131ndan dest-i kader ve kalem-i hikmet ile mektub ve cari olan kav\u00e2n\u00een-i am\u00eeka-i dak\u00eeka-i ilahiyeyi izhar etti\u011finden; ahk\u00e2m-\u0131 \u00e2dil\u00e2nesiyle nev&#8217;-i be\u015ferin nizam ve muvazenet ve terakkisine kef\u00eel-i mutlak ve \u00fcstad-\u0131 k\u00fcll olmu\u015ftur.&#8221;<\/span><\/strong><\/span><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu tarifte, daha sonralar\u0131 Risale-i Nur&#8217;da durmaks\u0131z\u0131n vurgulanan bir hususun izlerini tesbit etmek m\u00fcmk\u00fcnd\u00fcr: K\u00e2inat\u0131n Kur&#8217;\u00e2n&#8217;\u0131n \u015fahidi olu\u015fu, ve Kur&#8217;\u00e2n&#8217;\u0131n <strong>&#8220;f\u0131trat-\u0131 selime cihetiyle de musaddak&#8221;<\/strong> olu\u015fu&#8230; Kur&#8217;\u00e2n&#8217;\u0131n \u00e2lem-i \u015fehadette \u00e2lem-i gayb\u0131n lisan\u0131 olu\u015fu ve \u015fu b\u00fcy\u00fck k\u00e2inat kitab\u0131n\u0131n terc\u00fcman\u0131 olu\u015fu&#8230; Kur&#8217;\u00e2n&#8217;la gelen \u015feriat\u0131n f\u0131tr\u00ee \u015feriatla mutab\u0131k ve muvaf\u0131k olu\u015fu&#8230;<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu tan\u0131mlama, Risale-i Nur&#8217;un en \u00f6nemli \u00f6zelliklerinden birinin habercisidir. Kur&#8217;\u00e2n \u00e2yetlerini <strong>&#8220;izah&#8221;<\/strong> eden pek \u00e7ok say\u0131da eser mevcuttur. \u00d6zelde tefsir kitaplar\u0131 hep bu \u00e7er\u00e7evede yer almaktad\u0131r. Oysa Risale-i Nur, Kur&#8217;\u00e2n \u00e2yetlerini <strong>&#8220;izah&#8221;<\/strong> sadedinde kalmay\u0131p, <strong>&#8220;teslimi bozulmu\u015f&#8221;<\/strong> bu as\u0131rda bu \u00e2yetlerin hakkaniyetini <strong>&#8220;isbat&#8221;<\/strong> gibi bir g\u00f6rev de \u00fcstlenmi\u015ftir. Bu isbat\u0131n vas\u0131talar\u0131 ise, k\u00e2inat ve insan f\u0131trat\u0131d\u0131r. Fenden ve felsefeden gelen itirazlara kar\u015f\u0131, gerek k\u00e2inat ve gerek f\u0131trat, Kur&#8217;\u00e2n \u00e2yetlerinin ger\u00e7ekli\u011fine \u015fahit tutulmaktad\u0131r. Muhakemat&#8217;\u0131n daha ba\u015f\u0131ndaki bu tarif, i\u015fte bu boyutun ilk i\u015faretlerini ta\u015f\u0131maktad\u0131r. Ayn\u0131 eserin ilerleyen sayfalar\u0131nda, Kur&#8217;\u00e2n\u00ee bir tefekk\u00fcr\u00fcn anahatlar\u0131n\u0131 tesbite \u00e7al\u0131\u015fan, \u0130sl\u00e2m d\u00fc\u015f\u00fcnce tarihini de bu \u00e7er\u00e7evede de\u011ferlendiren muhakemelerle y\u00fczy\u00fcze gelmekteyiz.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"color: #800000;\"><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">\u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz: i&#8217;caz neden \u00f6nemli ?<\/span><\/strong><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Muhakemat&#8217;\u0131n ne\u015frinden \u00fc\u00e7 y\u0131l sonra, Said Nurs\u00ee&#8217;nin \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz adl\u0131 bir tefsir yazmaya ba\u015flad\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. Bu eser, ta\u015f\u0131d\u0131\u011f\u0131 isimle, Muhakemat&#8217;\u0131n ba\u015f\u0131nda yer alan <strong>&#8220;Kur&#8217;\u00e2n-\u0131 Mu&#8217;ciz&#8221;<\/strong> ifadesinin a\u00e7\u0131ld\u0131\u011f\u0131 ve a\u00e7\u0131kland\u0131\u011f\u0131 \u00e7a\u011fr\u0131\u015f\u0131m\u0131n\u0131 uyand\u0131r\u0131r. Eser, <strong>&#8220;Kur&#8217;\u00e2n&#8217;\u0131n mucize olu\u015funun i\u015faretleri&#8221;<\/strong>ni sunan bir tefsir olmay\u0131 hedeflemektedir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Ger\u00e7ekten, \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz, klasik tefsir usul\u00fcn\u00fc zorlamakta, al\u0131\u015f\u0131lm\u0131\u015f tefsir kal\u0131plar\u0131n\u0131 a\u015fmaktad\u0131r. Tefsirlerde, genel olarak Kur&#8217;\u00e2n \u00e2yetlerinin birbiri ard\u0131nca s\u0131raland\u0131\u011f\u0131; m\u00fcfessirin ise t\u00fcm \u00e2yetlerin t\u00fcm c\u00fcmlecik ve kelimelerini de\u011fil, yaln\u0131zca dikkatini \u00e7eken \u00e2yet ve ibareleri a\u00e7\u0131klamakla yetindi\u011fi g\u00f6r\u00fcl\u00fcr. Bu eserde ise, \u00f6nce temel bir \u00e7er\u00e7eve \u00e7izilmektedir. M\u00fcellifinin ifadesiyle okuyal\u0131m:<\/span><\/p>\n<blockquote>\n<p><strong><span style=\"color: #800000;\"><br \/>\n<\/span><\/strong><\/p>\n<p><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif; color: #800000;\">&#8220;Kur&#8217;\u00e2n&#8217;daki an\u00e2s\u0131r-\u0131 esasiye ve Kur&#8217;\u00e2n&#8217;\u0131n takip etti\u011fi maksadlar, tevhid, n\u00fcb\u00fcvvet, ha\u015fir, adalet ve ibadet olmak \u00fczere d\u00f6rtt\u00fcr. Bu d\u00f6rt unsuru beyan edece\u011fiz.&#8221;<\/span><\/strong><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bunun \u00fczerine, klasik tefsir usul\u00fcne dair telmihler bar\u0131nd\u0131ran \u015f\u00f6yle bir soru g\u00fcndeme getirilir: <\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<blockquote>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"color: #800000;\"><strong>&#8220;\u015eu makas\u0131d-\u0131 erbaa, Kur&#8217;\u00e2n&#8217;\u0131n hangi \u00e2yetlerinde bulunuyor.&#8221;<\/strong><\/span><\/span><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Verilen cevap, \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz tefsirinin metodik bir \u00f6zeti h\u00fckm\u00fcndedir:<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<blockquote>\n<p><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif; color: #800000;\">&#8220;O an\u00e2s\u0131r-\u0131 erbaa, Kur&#8221;\u00e2n&#8217;\u0131n hey&#8217;et-i mecmuas\u0131nda bulundu\u011fu gibi; Kur&#8217;\u00e2n&#8217;\u0131n s\u00fbrelerinde, \u00e2yetlerinde, kelamlar\u0131nda, hatta kelimelerinde bile sarahaten veya i\u015fareten veya remzen bulunmaktad\u0131r.\u00c7\u00fcnk\u00fc, Kur&#8217;\u00e2n&#8217;\u0131n k\u00fcll\u00fc c\u00fcz&#8217;lerinde g\u00f6r\u00fcnd\u00fc\u011f\u00fc gibi, c\u00fcz&#8217;leri de Kur&#8217;\u00e2n&#8217;\u0131n k\u00fcll\u00fcne \u00e2yinedir. Bunun i\u00e7indir ki, Kur&#8217;\u00e2n, m\u00fc\u015fahhas oldu\u011fu halde, efrad sahibi olan k\u00fcll\u00ee gibi tarif edilir.&#8221;<\/span><\/strong><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Ard\u0131ndan <strong>&#8220;Bismill\u00e2hirrahmanirrah\u00eem&#8221;<\/strong> ile ba\u015flayan tefsirde, her bir \u00e2yet, her bir \u00e2yetteki her bir kelam, hatta her kelime ve harf tek tek bu d\u00f6rt temel maksat ekseninde ele al\u0131n\u0131r. Kur&#8217;\u00e2n&#8217;\u0131n i&#8217;caz&#8217;\u0131, yani l\u00e2fz ve m\u00e2n\u00e2 cihetiyle insan\u0131 \u00e2ciz b\u0131rakmas\u0131, yani be\u015fer kel\u00e2m\u0131 olmay\u0131p Kel\u00e2mullah olu\u015fu k\u0131rk ayr\u0131 a\u00e7\u0131dan \u00e7al\u0131\u015f\u0131l\u0131r. Bir \u00e2yet \u00fczerinde, harflere dek uzanan b\u00f6ylesi bir yo\u011funla\u015fma baz\u0131lar\u0131na gereksiz g\u00f6z\u00fckebilir; oysa, Kur&#8217;\u00e2n&#8217;\u0131 <strong>&#8220;ilm-i muh\u00eet&#8221;<\/strong> sahibi Z\u00e2t-\u0131 Z\u00fclcel\u00e2le has k\u0131l\u0131p Kel\u00e2m-\u0131 Ezel\u00ee olarak hayat\u0131m\u0131z\u0131n ve tefekk\u00fcr\u00fcm\u00fcz\u00fcn mihverine yerle\u015ftirmenin anahtar\u0131 buradad\u0131r. Kur&#8217;\u00e2n&#8217;\u0131n zihnimizde ve kalbimizde vazge\u00e7ilmez bir \u00f6nceli\u011fe sahip olmas\u0131, onun Allah kel\u00e2m\u0131 oldu\u011funa aklen ve kalben ikna olmam\u0131zla m\u00fcmk\u00fcnd\u00fcr. \u0130\u015fte bu zaruri neticeyi i&#8217;caz h\u00e2s\u0131l etmektedir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu tefsirin, ileride, Said Nurs\u00ee taraf\u0131ndan <strong>&#8220;Risale-i Nur&#8217;un ba\u015flang\u0131c\u0131&#8221;<\/strong> olarak tan\u0131mlanmas\u0131 anlaml\u0131d\u0131r. \u00c7\u00fcnk\u00fc Kur&#8217;\u00e2n&#8217;\u0131n her bir \u00e2yetinde gerek nazm ve lafz y\u00f6n\u00fcndeki i&#8217;caz vecihlerini ke\u015ffe y\u00f6nelen, hem de anlam a\u00e7\u0131s\u0131ndan i&#8217;caz vecihlerini ara\u015ft\u0131ran yo\u011fun bir dikkat iledir ki, Risale-i Nur do\u011fmu\u015ftur.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Ha\u015fir Risalesi bunun bir \u00f6rne\u011fidir. Bu risale, R\u00fbm s\u00fbresinin 50. \u00e2yetinin bir dersi h\u00fckm\u00fcndedir. <span style=\"color: #800000;\"><strong>&#8220;Fenzur il\u00e2 \u00e2s\u00e2ri rahmetill\u00e2hi&#8230;&#8221;<\/strong><\/span> diye ba\u015flayan \u00e2yet, gerek nazm\u0131, gerek m\u00e2n\u00e2s\u0131 itibar\u0131yla, s\u00f6zkonusu risalenin temelini olu\u015fturur. Ayet, \u00f6lm\u00fc\u015f arz\u0131n baharda dirili\u015fini nazara verip, bunu \u00f6l\u00fclerin dirili\u015fine, zira Allah&#8217;\u0131n Kad\u00eer-i K\u00fclli \u015eey oldu\u011funa delil ve \u015fahit k\u0131lmaktad\u0131r. S\u00f6zkonusu risale, <span style=\"color: #800000;\"><strong>&#8220;madem d\u00fcnya var, elbette \u00e2hiret var&#8221;<\/strong><\/span> c\u00fcmlesiyle \u00f6zetlenen muhakemesini, i\u015fte bu \u00e2yetten al\u0131r. Bu \u00e2yetten ald\u0131\u011f\u0131 dersle, \u015fu k\u00e2inat\u0131 Allah&#8217;\u0131n g\u00fczel isimlerini ve s\u0131fatlar\u0131n\u0131 g\u00f6steren ve tan\u0131tt\u0131ran bir ayna olarak okur. Ve, her birine t\u00fcm k\u00e2inat\u0131n \u015fahit oldu\u011fu bu isim ve s\u0131fatlar\u0131n her birinin ha\u015fri gerektirdi\u011fini isbat eder. Bu, s\u00f6zkonusu \u00e2yetin tevhid penceresiyle ha\u015frin isbat\u0131 i\u00e7in nas\u0131l bir yol a\u00e7t\u0131\u011f\u0131n\u0131n g\u00f6stergesidir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">\u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz m\u00fcellifi, bu \u00e2yette yaln\u0131z tevhid penceresiyle ha\u015frin isbat\u0131na dair bir usul bulmakla kalmayacakt\u0131r. Ayetin verdi\u011fi dersle, <strong>&#8220;n\u00fcb\u00fcvvet&#8221;<\/strong> ve <strong>&#8220;adalet ve ibadet&#8221;<\/strong> hakikat\u0131n\u0131n da ha\u015fri gerektirdi\u011fi isbat edilecektir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">T\u00fcm bunlar, m\u00e2n\u00e2 cihetinden i&#8217;caz vecihlerini ar\u0131yor olman\u0131n meyvesidir. Lafz ve nazm cihetindeki i&#8217;caz\u0131 takip ederek de ayn\u0131 noktaya ula\u015f\u0131lmaktad\u0131r. Ayet, daha ilk kelimesiyle insan\u0131 bir bak\u0131\u015f, bir <strong>&#8220;nazar&#8221;<\/strong> e\u011fitimine t\u00e2bi tutmakta; ikinci kelimeyle bu bak\u0131\u015f\u0131n ilk adresini g\u00f6stermektedir: \u00e2s\u00e2r, yani eserler. Hem bildi\u011fimiz <strong>&#8220;eserler&#8221;<\/strong> anlam\u0131n\u0131, hem de <strong>&#8220;izler, i\u015faretler&#8221;<\/strong> anlam\u0131n\u0131 ta\u015f\u0131yan bu kelimenin se\u00e7ilmesi ba\u015fl\u0131 ba\u015f\u0131na bir i&#8217;cazd\u0131r. Varolan bir eser, insana o eserin M\u00fcessirini tan\u0131t\u0131r, Ona i\u015faret eder, Onun alemi olur. Ki, \u00e2s\u00e2ra bakan rahmeti g\u00f6recek; bu muh\u00eet ve mutlak rahmet onu Rah\u00eem-i Mutlak olan Z\u00e2t&#8217;a ula\u015ft\u0131racakt\u0131r. Ayet, nazm a\u00e7\u0131s\u0131ndan, b\u00f6ylesi i&#8217;caz vecihlerini y\u00fcklenmi\u015f bi\u00e7imde ak\u0131p gitmektedir. Ayetin l\u00e2fz\u0131ndaki bu mucizane dizili\u015f gibi i&#8217;caz vecihleri de, \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz m\u00fcellifinin, s\u00f6zkonusu \u00e2yetten ald\u0131\u011f\u0131 dersle Ha\u015fir Risalesi&#8217;ni yazmas\u0131nda anahtar bir rol sahibidir.<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Yaln\u0131zca Ha\u015fir Risalesi&#8217;ni \u00f6rnek olarak ald\u0131\u011f\u0131m\u0131z b\u00f6ylesi bir umum\u00ee bak\u0131\u015f dahi, Risale-i Nur&#8217;un telifinin neden \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130caz m\u00fcellifine nasip oldu\u011funu a\u00e7\u0131k\u00e7a g\u00f6stermektedir. B\u00f6ylece, \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz&#8217;\u0131n <strong>&#8220;Risale-i Nur&#8217;un ba\u015flang\u0131c\u0131&#8221;<\/strong> olarak tan\u0131mlanmas\u0131n\u0131n s\u0131rr\u0131 da a\u00e7\u0131lmaktad\u0131r. En \u00f6nemlisi, Kur&#8217;\u00e2n&#8217;a &#8220;i&#8217;caz&#8217;\u0131 cihetiyle muhatap olman\u0131n, Kur&#8217;\u00e2n\u00ee bir tefekk\u00fcr\u00fcn kurulmas\u0131nda ta\u015f\u0131d\u0131\u011f\u0131 vazge\u00e7ilmez \u00f6nem, a\u00e7\u0131k\u00e7a anla\u015f\u0131lmaktad\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">M\u00fcellifi a\u00e7\u0131s\u0131ndan Risale-i Nur&#8217;a, t\u00fcm ehl-i iman\u0131n a\u00e7\u0131s\u0131ndan ise Kur&#8217;\u00e2n\u00ee bir tefekk\u00fcr\u00fcn in\u015fas\u0131na giden yolda b\u00f6ylesine \u00f6nemli bir yeri bulunan \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz, hen\u00fcz Kur&#8217;\u00e2n&#8217;\u0131n ilk sayfalar\u0131nda, Bakara s\u00fbresinin 32. \u00e2yetinde son bulmaktad\u0131r. Said Nurs\u00ee&#8217;nin <strong>&#8220;\u0130&#8217;caz-\u0131 Kur&#8217;\u00e2n&#8217;\u0131 beyan et&#8221;<\/strong> emrini i\u015fitti\u011fi manidar bir r\u00fcyadan sonra, I. D\u00fcnya Sava\u015f\u0131 heng\u00e2m\u0131nda, Do\u011fu cephesinde Ruslara kar\u015f\u0131 s\u0131cak \u00e7at\u0131\u015fmalar i\u00e7indeyken g\u00fclle ve mermi sesleri aras\u0131nda yaz\u0131lan bu \u00e7ok de\u011ferli tefsir, m\u00fcellifinin esir d\u00fc\u015f\u00fcp Sibirya&#8217;ya s\u00fcrg\u00fcn edilmesi y\u00fcz\u00fcnden devam edememi\u015f, 2:32. \u00e2yette kalm\u0131\u015ft\u0131r.1<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"color: #800000;\"><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Risale-i Nur&#8217;a do\u011fru<\/span><\/strong><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Rusya esareti d\u00f6n\u00fc\u015f\u00fc, Said Nurs\u00ee&#8217;yi ciddi bir i\u00e7 muhasebe i\u00e7inde buluyoruz. Son derece s\u0131cak ve samimi bir \u00fcslupla yaz\u0131lm\u0131\u015f <strong>&#8220;Yirmialt\u0131nc\u0131 Lem&#8217;a&#8221;<\/strong> adl\u0131 eserinden anla\u015f\u0131ld\u0131\u011f\u0131 kadar\u0131yla, bu i\u00e7 muhasebe d\u0131\u015f d\u00fcnyada meydana gelen dev\u00e2s\u00e2 de\u011fi\u015fimlerle de ilgilidir. Hem kendisinin ihtiyarl\u0131\u011fa ad\u0131m atmaya ba\u015flad\u0131\u011f\u0131, hem de hilafet saltanat\u0131n\u0131n \u00e7\u00f6kmeye y\u00fcz tuttu\u011fu bir s\u0131rada ya\u015fanan bu muhasebe esnas\u0131nda, d\u00fcnyas\u0131n\u0131n merkezinde yine Kur&#8217;\u00e2n yer almaktad\u0131r. <span style=\"color: #800000;\"><strong>&#8220;\u0130htiyarl\u0131\u011f\u0131n al\u00e2meti olan beyaz k\u0131llar\u0131n sa\u00e7\u0131na d\u00fc\u015ft\u00fc\u011f\u00fc&#8221;<\/strong><\/span> o zamanda, \u0130stanbul&#8217;da halife ve \u015feyh\u00fclisl\u00e2mdan t\u00e2 medrese talebelerine kadar herkesten ve her kesimden iltifat ve tevecc\u00fch g\u00f6rmekte; ama o sa\u00e7\u0131ndaki beyaz k\u0131llar\u0131n verdi\u011fi mesaj\u0131 de\u011ferlendirerek, fani bir d\u00fcnyadaki fani insanlar\u0131n iltifat\u0131 yerine, Bayezid Camiinde ihlasl\u0131 haf\u0131zlar\u0131n okudu\u011fu Kel\u00e2m-\u0131 Ezel\u00eeyi dinlemeyi tercih etmektedir. Onun Kur&#8217;\u00e2n&#8217;a her bir \u00e2yetiyle nas\u0131l bir yo\u011funluk ve derinlik i\u00e7inde muhatap oldu\u011funun bir \u00f6rne\u011fi, Yirmialt\u0131nc\u0131 Lem&#8217;a&#8217;n\u0131n <strong>&#8220;sekizinci rica&#8221;<\/strong>s\u0131nda g\u00f6r\u00fcl\u00fcr. Bayezid Camiinde d\u0131\u015f d\u00fcnyadan gelen iltifatlar, hilafet saltanat\u0131n\u0131n ink\u0131raz\u0131, sa\u00e7\u0131na d\u00fc\u015fen beyaz k\u0131llar aras\u0131nda gel-gitler ya\u015farken duydu\u011fu <span style=\"color: #800000;\"><strong>&#8220;K\u00fcll\u00fc nefsin z\u00e2ikat\u00fcl mevt&#8221;<\/strong><\/span> \u00e2yetinin getirdi\u011fi sorgulama Said&#8217;in Kur&#8217;\u00e2n&#8217;a muhatap olu\u015fundaki ciddiyetin, derinli\u011fin ve enginli\u011fin manidar bir delilidir:<\/span><\/p>\n<blockquote>\n<p><span style=\"color: #800000;\"><br \/>\n<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif; color: #800000;\">&#8220;&#8230;Kur&#8217;\u00e2n-\u0131 Mu&#8217;ciz\u00fc&#8217;l-Beyan, semav\u00ee y\u00fcksek hitabiyle be\u015ferin fenas\u0131n\u0131 ve z\u00eehayat\u0131n vefat\u0131n\u0131 haber veren gayet kuvvetli bir surette &#8220;K\u00fcll\u00fc nefsin z\u00e2ikat\u00fcl mevt&#8217; ferman\u0131n\u0131, h\u00e2f\u0131zlar\u0131n lisaniyle ilan etti. Kula\u011f\u0131ma girip, t\u00e2 kalbimin i\u00e7ine yerle\u015fip, o pek kal\u0131n gaflet ve uyku ve sarho\u015fluk tabakalar\u0131n\u0131 par\u00e7a par\u00e7a etti. Camiden \u00e7\u0131kt\u0131m. Daha \u00e7oktanberi ba\u015f\u0131mda yerle\u015fen o eski uykunun sersemli\u011fiyle birka\u00e7 g\u00fcn ba\u015f\u0131mda bir f\u0131rt\u0131na, dumanl\u0131 bir ate\u015f ve pusulas\u0131n\u0131 \u015fa\u015f\u0131rm\u0131\u015f gemi gibi kendimi g\u00f6rd\u00fcm. Aynada sa\u00e7\u0131ma bakt\u0131k\u00e7a, beyaz k\u0131llar bana diyorlar: &#8220;Dikkat et!&#8221; \u0130\u015fte o beyaz k\u0131llar\u0131n ihtariyle vaziyet tavazzuh etti. Bakd\u0131m ki, \u00e7ok g\u00fcvendi\u011fim ve ezv\u00e2k\u0131na meftun oldu\u011fum gen\u00e7lik elveda diyor.. ve muhabbetiyle pek \u00e7ok al\u00e2kadar oldu\u011fum hayat-\u0131 d\u00fcnyeviye s\u00f6nmeye ba\u015fl\u0131yor.. ve pek \u00e7ok al\u00e2kadar ve \u00e2deta a\u015f\u0131k oldu\u011fum d\u00fcnya, bana u\u011furlar olsun deyip, misafirhaneden gidece\u011fimi ihtar ediyor. Kendisi de, &#8220;Allaha\u0131smarlad\u0131k&#8221; deyip, o da gitmeye haz\u0131rlan\u0131yor. Kur&#8217;\u00e2n-\u0131 Mu&#8217;ciz\u00fc&#8217;l-Beyan &#8220;K\u00fcll\u00fc nefsin z\u00e2ikat\u00fcl mevt&#8221; \u00e2yetinin k\u00fclliyetinde: Nev-i insan\u00ee bir nefisdir, dirilmek \u00fczere \u00f6lecek. Ve k\u00fcre-i arz dahi bir nefisdir, b\u00e2ki bir surete girmek i\u00e7in o da \u00f6lecek. D\u00fcnya dahi bir nefisdir, \u00e2hiret suretine girmek i\u00e7in o da \u00f6lecek!&#8221; m\u00e2n\u00e2s\u0131 \u00e2yetin i\u015faretinden kalbe a\u00e7\u0131l\u0131yordu.&#8221;<\/span><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu uzun iktibas Said Nurs\u00ee&#8217;nin Kur&#8217;\u00e2n&#8217;a muhatabiyetindeki ciddiyeti ve derinli\u011fi g\u00f6stermenin \u00f6tesinde, \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz&#8217;dan Risale-i Nur&#8217;a giden yolun \u00f6nemli bir ipucunu da verir. \u0130&#8217;caz \u00fczerindeki vurgusu itibar\u0131yla Risale-i Nur&#8217;un ba\u015flang\u0131c\u0131 olan \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz, yine de Eski Said&#8217;in tefsiridir. Bu tefsirde ilm\u00ee ve akl\u00ee bir ele al\u0131\u015f tarz\u0131 \u00f6ne \u00e7\u0131kmaktad\u0131r. Bu eseri telif eden Eski Said Kur&#8217;\u00e2n&#8217;a \u00e7ok ciddi bir talebe olmu\u015ftur; ama bu talebelikte ak\u0131l ve ilim boyutu \u00f6n plandad\u0131r. Oysa, iktibas etti\u011fimiz bahiste, yaln\u0131z ak\u0131l de\u011fil, insan\u0131n t\u00fcm duygular\u0131, t\u00fcm donan\u0131mlar\u0131 konu\u015fturulmaktad\u0131r. Bir bak\u0131ma Kur&#8217;\u00e2n \u00e2yetleriyle gelen mesaj\u0131n <strong>&#8220;i\u00e7selle\u015ftirilmesi,&#8221;<\/strong> t\u00fcm duygularca \u00f6z\u00fcmsenmesi, kelimenin tam anlam\u0131yla <strong>&#8220;benimsenmesi&#8221; <\/strong>s\u00fcreci ba\u015flam\u0131\u015ft\u0131r. Bu enf\u00fcs\u00ee boyut, Eski Said ile Yeni Said aras\u0131ndaki en \u00f6nemli farklardan birini te\u015fkil eder. Ayn\u0131 zamanda, onun son tahlilde \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz&#8217;\u0131 neden <strong>&#8220;Eski Said&#8217;in tefsiri&#8221;<\/strong> diye tan\u0131mlad\u0131\u011f\u0131n\u0131 da a\u00e7\u0131klar. Mektubat&#8217;tan alaca\u011f\u0131m\u0131z, Eski Said&#8217;in Yeni Said&#8217;e d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc s\u00fcrecin s\u00f6zkonusu edildi\u011fi bir bahsin ard\u0131ndan gelen \u015fu ifadeler, bu a\u00e7\u0131klamay\u0131 daha da anla\u015f\u0131l\u0131r k\u0131lmaktad\u0131r:<\/span><\/p>\n<blockquote>\n<p><span style=\"color: #800000;\"><br \/>\n<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif; color: #800000;\">&#8220;&#8230; Demek Kur&#8217;\u00e2n&#8217;dan gelen o S\u00f6zler ve o nurlar, yaln\u0131z akl\u00ee mes\u00e2il-i ilmiye de\u011fil, belki kalb\u00ee, ruh\u00ee, h\u00e2l\u00ee mes\u00e2il-i imaniyedir. Ve pek y\u00fcksek ve k\u0131ymetdar maarif-i il\u00e2hiye h\u00fckm\u00fcndedirler.&#8221;<\/span><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Eski Said&#8217;in Yeni Said&#8217;e d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc bu s\u00fcre\u00e7te, Said Nurs\u00ee&#8217;nin yaln\u0131z akl\u0131n\u0131 de\u011fil, t\u00fcm\u00fcyle i\u00e7 d\u00fcnyas\u0131n\u0131 Kur&#8217;\u00e2n&#8217;\u0131n i&#8217;caz\u0131na a\u00e7mas\u0131yla gelen bir\u00e7ok manidar hakikat vard\u0131r. <strong>&#8220;Na&#8217;b\u00fcd\u00fc&#8221;<\/strong>deki <strong>&#8220;nun&#8221;<\/strong>a dair bahis, <strong>&#8220;da\u011flar\u0131n, ta\u015flar\u0131n y\u00fcklenmedi\u011fi emaneti insan\u0131n y\u00fcklenmesi&#8221;<\/strong>ne dair \u00e2yetin meyvesi olan <strong>&#8220;ene&#8221;<\/strong> bahsi, <strong>&#8220;F\u00e2tiha&#8217;n\u0131n \u00e2hirindeki \u00fc\u00e7 yol&#8221;<\/strong> bahsi, bu noktada parlak birer \u00f6rnek h\u00fckm\u00fcndedir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu d\u00f6nemin en \u00f6nemli y\u00f6n\u00fc, Said Nurs\u00ee&#8217;nin her a\u00e7\u0131dan Kur&#8217;\u00e2n&#8217;\u0131n talebesi olmas\u0131d\u0131r. Art\u0131k gen\u00e7lik zaman\u0131ndaki <strong>&#8220;ar\u0131zalar&#8221;<\/strong> ortadan kalkm\u0131\u015ft\u0131r. O g\u00fcne dek \u00e7izgisini izledi\u011fi selef-i s\u00e2lih\u00eenden hangi ferdi \u00fcstad edinece\u011fine karar verememi\u015f olan Said, \u0130mam-\u0131 Rabban\u00ee&#8217;nin Mektubat&#8217;\u0131ndan ald\u0131\u011f\u0131 bir derse binaen, \u00fcstadlar\u0131n\u0131n \u00fcstad\u0131 olan Kur&#8217;\u00e2n-\u0131 Hak\u00eem&#8217;de <strong>&#8220;tevhid-i k\u0131ble&#8221;<\/strong> etmeye karar k\u0131lm\u0131\u015f, ona yap\u0131\u015fm\u0131\u015ft\u0131r. \u00c7ok yo\u011fun, \u00e7ok bunalt\u0131c\u0131 ama \u00e7ok verimli bir sorgulamayla gelen bu d\u00f6n\u00fc\u015f\u00fcm\u00fcn hemen akabinde yazd\u0131\u011f\u0131 Mesnev\u00ee-i N\u00fbriye, Eski Said&#8217;den Yeni Said&#8217;e ge\u00e7i\u015fin manidar bir meyvesidir. Bu eser, Muhakemat veya \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz&#8217;da g\u00f6rd\u00fc\u011f\u00fcm\u00fcz o g\u00fc\u00e7l\u00fc muhakemeden vazge\u00e7ilmeksizin, tefekk\u00fcr\u00fcn boyutlar\u0131n\u0131 enf\u00fcs\u00ee \u00e2lemlere de ta\u015f\u0131makta;<strong> &#8220;harita-i insaniye&#8221;<\/strong>deki ke\u015fifleriyle vicdan\u0131, ruhu, kalbi ve duygular\u0131 da konu\u015fturmaktad\u0131r. Kur&#8217;\u00e2n ikliminden gelen tatl\u0131 esinti, yaln\u0131z akl\u0131 de\u011fil, kalbi, ruhu, sair duygular\u0131 da ku\u015fatan bir usul ve \u00fcslub i\u00e7inde \u00e7al\u0131\u015f\u0131lmaktad\u0131r. Mesnev\u00ee, bu \u00f6zelli\u011fiyle, gerek as\u0131l ve gerek usul a\u00e7\u0131s\u0131ndan, &#8220;Risale-i Nur&#8217;un fidanl\u0131\u011f\u0131&#8221; h\u00fckm\u00fcndedir. Bu eserden anlad\u0131\u011f\u0131m\u0131za g\u00f6re, Said&#8217;in daha yirmi ya\u015f\u0131nda ba\u015flayan <strong>&#8220;i&#8217;caz-\u0131 Kur&#8217;\u00e2n&#8221;<\/strong> yolculu\u011fu, \u015fimdilerde onu \u00e7ok y\u00fcksek bir tefekk\u00fcr yoluna ula\u015ft\u0131rm\u0131\u015ft\u0131r. Onu g\u00f6z\u00fc kapal\u0131 olarak de\u011fil,<span style=\"color: #800000;\"><strong> &#8220;ehl-i isti\u011frak\u0131n ak\u0131l g\u00f6z\u00fcn\u00fc kapad\u0131\u011f\u0131 yerlerde, o makamlarda g\u00f6z\u00fc a\u00e7\u0131k olarak gezdiren&#8221;<\/strong><\/span> bir yoldur bu. B\u00f6ylesi bir yol, <span style=\"color: #800000;\"><strong>&#8220;Cenab-\u0131 Hakka hadsiz \u015f\u00fck\u00fcr olsun ki, Kur&#8217;\u00e2n&#8217;\u0131n dersiyle, ir\u015fadiyle&#8221;<\/strong><\/span> bulunmu\u015ftur. Yine Mesnev\u00ee&#8217;deki bir pasaj, bu yola dair daha ayr\u0131nt\u0131l\u0131 bir izah getirmektedir:<\/span><\/p>\n<blockquote>\n<p><span style=\"color: #800000;\"><br \/>\n<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif; color: #800000;\">&#8220;Kur&#8217;\u00e2n&#8217;dan, hakikat-\u0131 tarikat\u0131 -tarikats\u0131z-feyiz suretiyle g\u00f6rd\u00fcm ve bir par\u00e7a ald\u0131m. Ve keza, maksud-u bizzat olan ilimlere ul\u00fbm-u \u00e2liyeyi okumaks\u0131z\u0131n isal edici bir yol buldum.&#8221;<\/span><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu yol, muhtemelen, \u0130sl\u00e2m\u00ee d\u00fc\u015f\u00fcncenin iki \u00f6nemli gelene\u011finin ayr\u0131\u015ft\u0131\u011f\u0131 bir noktay\u0131 birbirine ba\u011fl\u0131yor olsa gerektir. Tasavvuf gelene\u011finde k\u00e2inat, maddiyat, cismaniyat, neredeyse her zaman, marifetullah ve huzur-u daim\u00eenin bir engeli olarak g\u00f6r\u00fclm\u00fc\u015ft\u00fcr. Bu <strong>&#8220;perde&#8221;<\/strong>yi a\u015fmak \u00fczere vahdet-i v\u00fccud ve vahdet-i \u015fuhud gibi seyr-i s\u00fcl\u00fbk yollar\u0131 bulunmu\u015f; enf\u00fcs\u00ee tefekk\u00fcr yoluyla marifete ve huzur-u daim\u00eeye ula\u015fma cihetine gidilmi\u015ftir. Gere\u011finde, huzuru bozmamak i\u00e7in, ak\u0131l g\u00f6z\u00fcn\u00fcn kapat\u0131ld\u0131\u011f\u0131 bir yoldur bu. \u00d6te yandan, kel\u00e2m gelene\u011finde \u00e2f\u00e2k\u00ee daireye uzanan, inayet delili, gaye delili gibi ara\u00e7lar\u0131 kullanarak k\u00e2inat\u0131 <strong>&#8220;isbat-\u0131 S\u00e2ni&#8221;<\/strong>in bir vesilesi k\u0131lan ciddi bir \u00e2f\u00e2k\u00ee tefekk\u00fcr gayreti mevcuttur. Fakat burada da enf\u00fcs\u00ee tefekk\u00fcr ihmale u\u011framakta; ak\u0131l istimal edilirken, kalb gere\u011fince i\u015flettirilmemektedir. Kur&#8217;\u00e2n&#8217;dan bulunan yol, bu iki yar\u0131m k\u00fcreyi bir b\u00fct\u00fcn halinde biraraya getirmektedir. Art\u0131k k\u00e2inat marifetullah\u0131n \u00f6n\u00fcndeki bir <strong>&#8220;perde&#8221;<\/strong> olmaktan \u00e7\u0131k\u0131p, marifetullaha ula\u015ft\u0131ran <strong>&#8220;pencere&#8221;<\/strong>lere d\u00f6n\u00fc\u015fmektedir. Ak\u0131l istimal edilirken, kalb de i\u015flettirilmektedir.2<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Mektubat&#8217;ta yer alan bir mektup, bu hususu Muhyiddin-i Arab\u00ee ve Fahreddin-i R\u00e2zi \u00f6rne\u011finde ele al\u0131r. \u0130bn Arab\u00ee, tasavvuf mesle\u011finin en b\u00fcy\u00fck simalar\u0131ndand\u0131r. Muas\u0131r\u0131 olan ve kel\u00e2m ilminin en g\u00f6zde isimleri aras\u0131nda yer alan R\u00e2zi&#8217;ye yazd\u0131\u011f\u0131 mektupta, kel\u00e2m ilmi vas\u0131tas\u0131yla al\u0131nan marifetullah\u0131n ne denli noksan oldu\u011funu belirterek, onu tasavvuf mesle\u011fine davet etmektedir.<strong> &#8220;\u00f6yle de&#8221;<\/strong> der Said Nurs\u00ee,<span style=\"color: #800000;\"><strong> &#8220;tasavvuf mesle\u011fiyle al\u0131nan marifet dahi, Kur&#8217;\u00e2n-\u0131 Hak\u00eem&#8217;den do\u011frudan do\u011fruya veraset-i n\u00fcb\u00fcvvet s\u0131rr\u0131yla al\u0131nan marifete nisbeten o kadar noksand\u0131r.&#8221; <\/strong><\/span>\u00c7\u00fcnk\u00fc, <\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<blockquote>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"color: #800000;\">&#8220;Kur&#8217;\u00e2n-\u0131 Hak\u00eem&#8217;den al\u0131nan marifet ise, huzur-u daim\u00eeyi vermekle beraber, ne k\u00e2inat\u0131 mahk\u00fbm-u adem eder, ne de nisyan-\u0131 mutlakta hapseder. Belki ba\u015f\u0131bozukluktan \u00e7\u0131kar\u0131p, Cenab-\u0131 Hak nam\u0131na istihdam eder. Her\u015fey mir&#8217;at-\u0131 marifet olur&#8230; Her\u015feyde Cenab-\u0131 Hakk\u0131n marifetine bir pencere a\u00e7ar.&#8221;<\/span><\/span><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Mesnev\u00ee-i N\u00fbriye&#8217;de yer alan <strong>&#8220;Katre&#8221;<\/strong> adl\u0131 risalenin giri\u015finde s\u00f6z\u00fc edilen <strong>&#8220;d\u00f6rt kelime ile d\u00f6rt kelam&#8221;<\/strong>da, Kur&#8217;\u00e2n&#8217;dan bulunan bu yolun anahatlar\u0131n\u0131 ve anahtarlar\u0131n\u0131 bulmaktay\u0131z.3 \u0130lerleyen y\u0131llarda yaz\u0131lacak risaleler, bu temel \u00e7izgide geli\u015fecektir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"color: #800000;\"><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8220;Re\u015fha&#8221; mesle\u011fi<\/span><\/strong><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Said Nurs\u00ee&#8217;nin, Eski Said&#8217;in Yeni Said&#8217;e d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc, ve Kur&#8217;\u00e2n&#8217;\u0131n i&#8217;caz\u0131na t\u00fcm insan\u00ee \u00f6zellikleriyle talebe olmaya ba\u015flad\u0131\u011f\u0131 andan itibaren, hayat\u0131n\u0131n sonuna dek, yan\u0131nda yaln\u0131z Kur&#8217;\u00e2n&#8217;\u0131 bulundurmas\u0131 bu d\u00f6nemde ya\u015fanan muhasebe ve muhakemelerle do\u011frudan ba\u011flant\u0131l\u0131d\u0131r. O, tasavvuf ve kel\u00e2m gibi as\u0131rlar boyu pek \u00e7ok insan\u0131n marifetullah ve huzur-u daim\u00ee yolunda y\u00fcr\u00fcmesine imk\u00e2n tan\u0131m\u0131\u015f meslekleri \u00e7izgi d\u0131\u015f\u0131na atmamakta; ama do\u011frudan do\u011fruya Kur&#8217;\u00e2n&#8217;dan al\u0131nan ve en \u00f6nemli anahtar\u0131 <strong>&#8220;i&#8217;caz&#8221;<\/strong> olan<strong> &#8220;re\u015fha&#8221;<\/strong> mesle\u011fine g\u00f6re, her ikisini de dar, husus\u00ee, uzun ve yorucu bulmaktad\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Risale-i Nur&#8217;un, de\u011fi\u015fik bahislerde <strong>&#8220;vel\u00e2yet-i k\u00fcbra,&#8221; &#8220;veraset-i n\u00fcb\u00fcvvet,&#8221; &#8220;sahabe mesle\u011fi&#8221;<\/strong> diye de adland\u0131r\u0131lan bu mesle\u011finin mant\u0131\u011f\u0131n\u0131 ve esas\u0131n\u0131 anlatan en \u00f6nemli risale, belki de <strong>&#8220;Yirmid\u00f6rd\u00fcnc\u00fc S\u00f6z&#8221;<\/strong>d\u00fcr. Bu risale, m\u00fcellifinin ifadesiyle, Allah&#8217;\u0131 <span style=\"color: #800000;\"><strong>&#8220;b\u00fct\u00fcn g\u00fczel isimler kendisinin olan&#8221;<\/strong><\/span> Z\u00e2t olarak tan\u0131tan <span style=\"color: #800000;\"><strong>&#8220;Allahu l\u00e2 il\u00e2he ill\u00e2 huve leh\u00fcl esm\u00e2\u00fcl h\u00fcsn\u00e2 \u00e2yet-i celilesinin \u015fecere-i nuraniyesinin \u00e7ok hakikatlerinden bir hakikat\u0131n\u0131n be\u015f dal\u0131na i\u015faret&#8221;<\/strong><\/span> etmektedir. <\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Birinci dal,<\/strong> \u00e2yetin <span style=\"color: #800000;\"><strong>&#8220;leh\u00fcl esm\u00e2\u00fcl h\u00fcsn\u00e2&#8221;<\/strong><\/span> vurgusunu ele al\u0131r. Bu vurguyla, dikkatimiz, Allah&#8217;\u0131 bir ismiyle de\u011fil, t\u00fcm isimleriyle tan\u0131man\u0131n kritik \u00f6nemine \u00e7ekilmektedir. \u0130nsan\u0131n Allah&#8217;\u0131n her bir ismini azam\u00ee mertebede tan\u0131mas\u0131; \u00f6te yandan bir isimden di\u011ferine intikal etmesi gerekir. Bunu ba\u015faramazsa, zarar eder. Mesel\u00e2 Kad\u00eer ve H\u00e2l\u0131k isminin eserini g\u00f6rse, Al\u00eem ismini g\u00f6rmezse, gaflet ve tabiat dal\u00e2letine d\u00fc\u015febilir. B\u00f6ylesi sapmalar ya\u015famas\u0131 m\u00fcmk\u00fcn oldu\u011fu gibi, hakikat yolunda en az\u0131ndan g\u00fcd\u00fck kalabilir. \u0130\u015fte bu \u00e2yet, bu tehlikelerden uzak olmak, t\u00fcm g\u00fczel isimler Onun olan Allah&#8217;a l\u00e2y\u0131k\u0131nca abd olmak i\u00e7in, Onu t\u00fcm isimleriyle tan\u0131maya \u00e7a\u011f\u0131rmaktad\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>&#8220;\u0130kinci Dal,&#8221;<\/strong> \u00e2yetin bu birinci dersi \u00fczerine temellenen bir meslek tahlilini s\u00f6zkonusu eder. Neden ehl-i fikir ve nazar, hak tel\u00e2kki ettikleri fikirlerinde hakikat\u0131 birbirine z\u0131t surette g\u00f6stermektedir? Neden hakik\u00ee arif olan evliy\u00e2n\u0131n bir k\u0131sm\u0131, iman\u0131n yaln\u0131z bir erk\u00e2n\u0131nda ileri gitmi\u015ftir? Neden ehl-i hakikat baz\u0131s\u0131nda \u00e7ok ileri, bir k\u0131sm\u0131nda \u00e7ok geri kalm\u0131\u015ft\u0131r? \u0130leride onlara t\u00e2bi olanlardan bir k\u0131sm\u0131n\u0131n, geri kal\u0131nan iman esaslar\u0131na l\u00e2z\u0131m olan ehemmiyeti vermemesinin, hatta sapmas\u0131n\u0131n izah\u0131 nedir?<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu sorular e\u015fli\u011finde, bu dal, bizi <strong>&#8220;z\u00fchre,&#8221; &#8220;katre&#8221;<\/strong> ve <strong>&#8220;re\u015fha&#8221;<\/strong> olarak \u00f6zetlenen \u00fc\u00e7 ayr\u0131 meslekle y\u00fczy\u00fcze getirir. Bu b\u00f6yledir; \u00e7\u00fcnk\u00fc insan\u0131n iktidar\u0131 c\u00fcz&#8217;\u00ee, ihtiyar\u0131 c\u00fcz&#8217;\u00ee, istidad\u0131 muhtelif, arzular\u0131 de\u011fi\u015fiktir. Hakikat\u0131 binler perdeler, berzahlar i\u00e7inde aramaktad\u0131r. Bu y\u00fczden, bir perdeyi aralasa, di\u011ferine tak\u0131l\u0131p kalabilir. Bir iman esas\u0131nda inki\u015faf g\u00f6sterse, di\u011ferinde geri kalabilir. Hem bir ismin cilvesine mazhar olan ki\u015fi, di\u011fer isimlerin cilvesine mazhar olamayabilir. Bunun i\u00e7in, yaln\u0131z o ismin nazar\u0131yla bakar, <strong>&#8220;t\u00fcm g\u00fczel isimler&#8221;<\/strong> nazar\u0131yla de\u011fil. O ismin nazar\u0131yla bak\u0131\u015fta dahi, k\u00fcll\u00ee, has ve c\u00fcz&#8217;\u00ee mazhariyet dereceleri vard\u0131r. Baz\u0131lar\u0131 k\u00fcll\u00ee bir mazhariyete ula\u015famay\u0131p husus\u00ee veya c\u00fcz&#8217;\u00ee bir d\u00fczeyde kalabilir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu \u00f6n hat\u0131rlatmadan sonra, hakikat aray\u0131\u015f\u0131nda olan t\u00fcm yollar\u0131n genel bir tahlili sunulur. Madem problemin temeli Allah&#8217;a t\u00fcm g\u00fczel isimleriyle muhatap olamamak, ve her bir isme de <strong>&#8220;azam\u00ee mertebe&#8221;<\/strong>sinde mazhar olmamakt\u0131r; o halde, niha\u00ee ve mutlak \u00e7\u00f6z\u00fcm t\u00fcm isimlere <strong>&#8220;mertebe-i a&#8217;zam&#8221;<\/strong>lar\u0131yla muhatap olmay\u0131 temin eden meslektedir. \u0130\u015fte bunu temin eden, <strong>&#8220;Leh\u00fcl esma\u00fcl h\u00fcsna&#8221;<\/strong> s\u0131rr\u0131n\u0131 ders veren Kur&#8217;\u00e2n&#8217;d\u0131r. Bu s\u0131rr\u0131n m\u00fcbelli\u011fi ve b\u00fct\u00fcn isimlerin mertebe-i a&#8217;zamlar\u0131n\u0131n mazhar\u0131 olan Resul-i Ekrem aleyhissal\u00e2tu vessel\u00e2md\u0131r. Said&#8217;in <strong>&#8220;re\u015fha&#8221;<\/strong> mesle\u011fini se\u00e7mesi, i\u015fte bu s\u0131rdand\u0131r. <span style=\"color: #800000;\"><strong>&#8220;Kur&#8217;\u00e2n&#8217;\u0131n i&#8217;caz-\u0131 manev\u00eesi ona rehber ve m\u00fcr\u015fid ve \u00fcstad oldu&#8221;<\/strong><\/span> ise, i\u015fte bu s\u0131rdand\u0131r. Keza, \u0130bn Sina gibi dahilerin ancak takliden kabul etti\u011fi, pek \u00e7ok \u00e2limin ise <span style=\"color: #800000;\"><strong>&#8220;Nakl\u00ee bir meseledir, delili nakildir. Ak\u0131l o yolda gidemez&#8221;<\/strong><\/span> dedi\u011fi ha\u015fri, k\u00e2inat\u0131 \u015fahit k\u0131larak, k\u00e2inat\u0131n her bir c\u00fcz&#8217;\u00fcyle cilvelerini g\u00f6sterdi\u011fi Esma-i H\u00fcsnaya dayanarak izah ve isbat eden Ha\u015fir Risalesi ona nasip olmu\u015fsa, yine bu s\u0131rdand\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Nitekim, hakikate ula\u015fmay\u0131 hedefleyen mesleklerin Esma-i H\u00fcsna temelinde tahlil edildi\u011fi <strong>&#8220;\u0130kinci Dal<\/strong>&#8220;\u0131n sonunda \u015f\u00f6yle denilmektedir:<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<blockquote>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif; color: #800000;\">&#8220;Veraset-i Ahmediye (a.s.m.) ile Kad\u00eer ve Muhy\u00ee gibi isimlerin mertebe-i uzmas\u0131na yeti\u015fmiyen, Ha\u015fr-i A&#8217;zam\u0131 ve K\u0131y\u00e2met-i K\u00fcbr\u00e2y\u0131 taklid\u00ee olarak kabul eder, \u2018Akl\u00ee bir mesele de\u011fildir&#8217; der.\u00c7\u00fcnki: Hakikat-\u0131 Ha\u015fir ve K\u0131yamet, \u0130sm-i A&#8217;zam&#8217;\u0131n ve baz\u0131 esman\u0131n derece-i a&#8217;zam\u0131n\u0131n mazhar\u0131d\u0131r. Kimin nazar\u0131 oraya \u00e7\u0131kmazsa taklide mecburdur. Kimin fikri oraya girse, Ha\u015fir ve K\u0131yameti, gece g\u00fcnd\u00fcz, k\u0131\u015f ve bahar derecesinde kolay g\u00f6r\u00fcr, itminan-\u0131 kalb ile kabul eder.<\/span><\/p>\n<p><span style=\"color: #800000;\"><br \/>\n<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif; color: #800000;\">&#8220;\u0130\u015fte \u015fu s\u0131rdand\u0131r ki: Ha\u015fir ve K\u0131yameti, en a&#8217;zam mertebede, en ekmel tafsil\u00e2tla Kur&#8217;\u00e2n zikrediyor. Ve \u0130sm-i A&#8217;zam&#8217;\u0131n mazhar\u0131 olan Peygamberimiz aleyhissal\u00e2tu vessel\u00e2m ders veriyor.&#8221;<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<\/blockquote>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">\u00c7\u00fcnk\u00fc, Kur&#8217;\u00e2n \u0130sm-i A&#8217;zam&#8217;dan, Ar\u015f-\u0131 A&#8217;zam&#8217;dan, her ismin mertebe-i a&#8217;zam\u0131ndan gelmektedir. Allah&#8217;\u0131, k\u00e2inat\u0131 ve f\u0131trat\u0131 \u015fahit k\u0131larak, t\u00fcm isimleriyle tan\u0131tmaktad\u0131r. O, b\u00fct\u00fcn \u00e2lemlerin Rabbi itibar\u0131yla Allah&#8217;\u0131n kelam\u0131d\u0131r. Hem b\u00fct\u00fcn mevcudat\u0131n ilah\u0131 \u00fcnvan\u0131yla Allah&#8217;\u0131n ferman\u0131d\u0131r. Hem semavat ve arz\u0131n H\u00e2lik\u0131 haysiyetiyle bir hitabd\u0131r. Hem, mutlak rububiyet cihetinde bir konu\u015fmad\u0131r. Hem, b\u00fct\u00fcn k\u00e2inat\u0131 ku\u015fatan umum\u00ee ve k\u00fcll\u00ee saltanat-\u0131 s\u00fcbhaniye hesab\u0131na bir ezel\u00ee hutbedir. Hem muh\u00eet, geni\u015f ve sonsuz bir rahmet noktas\u0131nda, bir rahman\u00ee iltifat defteri h\u00fckm\u00fcndedir. Kur&#8217;\u00e2n&#8217;da, Cenab-\u0131 Hak, uluhiyetin azamet-i ha\u015fmeti haysiyetiyle konu\u015fmaktad\u0131r.<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bir\u00e7ok risalesinde dikkatleri bu hususa \u00e7eken Said Nurs\u00ee, en ba\u015fta kendi dikkatini Kur&#8217;\u00e2n&#8217;da yo\u011funla\u015ft\u0131rd\u0131\u011f\u0131 i\u00e7in, gerek i\u00e7 d\u00fcnyas\u0131na, gerek d\u0131\u015f d\u00fcnyas\u0131na ili\u015fkin her konuya, her hususa ve her meseleye, kendi i\u00e7 d\u00fcnyas\u0131 dahil t\u00fcm \u00e2lemlerin Rabbinin konu\u015fmas\u0131 olan Kur&#8217;\u00e2n&#8217;\u0131n rehberli\u011finde bakacakt\u0131r. \u0130\u00e7 d\u00fcnyas\u0131nda ve d\u0131\u015f d\u00fcnyada kar\u015f\u0131la\u015ft\u0131\u011f\u0131 her mesele, onun Kur&#8217;\u00e2n \u00f6n\u00fcnde diz \u00e7\u00f6k\u00fcp cevap aramas\u0131 i\u00e7in yeni bir vesile olacakt\u0131r. Sonu\u00e7ta, birbiri ard\u0131nca, enf\u00fcs\u00ee ve \u00e2f\u00e2k\u00ee \u00e2lemleri Cenab-\u0131 Hakk\u0131n marifet ve muhabbetine ula\u015ft\u0131ran bir aynaya, bir pencereye d\u00f6n\u00fc\u015ft\u00fcren risaleler do\u011facakt\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Her bir risalenin, bir \u00e2yetin veya bir dizi \u00e2yetin verdi\u011fi ders \u00fczerine kuruldu\u011funu g\u00f6rmek, hi\u00e7 de zor de\u011fildir. Her bir risale, o risalede sunulan tefekk\u00fcr\u00fcn esas\u0131 ve mihveri olan bir \u00e2yetle ba\u015flamaktad\u0131r, \u00e2yetin verdi\u011fi dersle geli\u015fmekte ve do\u011frudan yahut dolayl\u0131 olarak yine Kur&#8217;\u00e2n&#8217;a y\u00f6nelik bir at\u0131fla son bulmaktad\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">T\u00fcm risaleleri ku\u015fatan bu \u00f6zellikten ayr\u0131 olarak, bir\u00e7ok risale, do\u011frudan Kur&#8217;\u00e2n&#8217;a m\u00fcnhas\u0131rd\u0131r. En kapsaml\u0131 risalelerden biri olan <strong>&#8220;Mu&#8217;cizat-\u0131 Kur&#8217;\u00e2niye Risalesi&#8221;<\/strong> bu risalelerin \u015faheser bir \u00f6rne\u011fidir. Ayr\u0131ca, <strong>&#8220;Onikinci S\u00f6z,&#8221; &#8220;On\u00fc\u00e7\u00fcnc\u00fc S\u00f6z,&#8221; &#8220;Onbe\u015finci S\u00f6z,&#8221; &#8220;Yirminci S\u00f6z&#8221;<\/strong> gibi risaleler de, do\u011frudan do\u011fruya Kur&#8217;\u00e2n&#8217;\u0131n hakkaniyetini isbata hasredilmi\u015flerdir. Baz\u0131 risalelerin baz\u0131 bahisleri de, <strong>&#8220;Yirmidokuzuncu Mektub&#8221;<\/strong>un birinci ve \u00fc\u00e7\u00fcnc\u00fc k\u0131s\u0131mlar\u0131 gibi, hususan Kur&#8217;\u00e2n&#8217;a dairdir. &#8220;Yirmiikinci S\u00f6z,&#8221; &#8220;Otuz\u00fc\u00e7\u00fcnc\u00fc S\u00f6z,&#8221; &#8220;Ayet\u00fc&#8217;l-K\u00fcbra,&#8221; &#8220;Otuzuncu Lem&#8217;a&#8221; gibi, \u00f6zelde tevhidin isbat\u0131na dair bir\u00e7ok risale de, nihayetinde, tevhidin en parlak delili olarak, s\u00f6z\u00fc Kur&#8217;\u00e2n&#8217;a getirmektedir. \u00d6zellikle nefis ve \u015feytan\u0131n desiselerinin \u00e7al\u0131\u015f\u0131ld\u0131\u011f\u0131 bir\u00e7ok risale de, son tahlilde s\u00f6z\u00fc <strong>&#8220;Kur&#8217;\u00e2n kalesine s\u0131\u011f\u0131nma&#8221;<\/strong>ya dayand\u0131rmaktad\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">B\u00fct\u00fcn bunlar\u0131 g\u00f6rd\u00fckten sonra, denilebilir ki, Risale-i Nur, ba\u015ftan sona Kur&#8217;\u00e2n\u00ee hakikatlerle \u00f6r\u00fclm\u00fc\u015ft\u00fcr. Kur&#8217;\u00e2n&#8217;dan al\u0131nan ders ve ilhamlar \u00e7\u0131kar\u0131lacak olsa, geride hi\u00e7bir \u015fey kalmayacakt\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu apa\u00e7\u0131k ger\u00e7ek, Said Nurs\u00ee&#8217;yi hakl\u0131 olarak \u015fu s\u00f6z\u00fc s\u00f6ylemeye sevketmi\u015ftir:<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<blockquote>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif; color: #800000;\">&#8220;&#8230; Res\u00e2ili&#8217;n-Nur, ne \u015eark\u0131n m\u00e2l\u00fbmat\u0131ndan, ul\u00fbmundan; ve ne de Garb\u0131n felsefe ve f\u00fcnunundan gelmi\u015f bir mal ve onlardan iktibas edilmi\u015f bir nur de\u011fildir. Belki, semav\u00ee olan Kur&#8217;\u00e2n&#8217;\u0131n, \u015eark ve Garb\u0131n fevk\u0131ndeki y\u00fcksek mertebe-i ar\u015f\u00eesinden iktibas edilmi\u015ftir.&#8221; (bkz. \u015eu\u00e2lar, s. 580).<\/span><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"color: #800000;\"><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Pazardaki silik s\u00f6zler<\/span><\/strong><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Ortada b\u00f6yle bir realite varken, ne yaz\u0131k ki etrafta bir dizi silik s\u00f6z dola\u015f\u0131yor. Said Nurs\u00ee&#8217;nin Kur&#8217;\u00e2n&#8221;a talebe olma azmiyle ya\u015fanm\u0131\u015f hayat\u0131na, \u00f6zelde Risale-i Nur&#8217;un ba\u015ftan sona Kur&#8217;\u00e2n \u00e2yetlerinden s\u00fcz\u00fclm\u00fc\u015f hakikatlerle dokunmas\u0131na ra\u011fmen, Risale-i Nur&#8217;a dair yak\u0131\u015f\u0131ks\u0131z iftiralar kol geziyor. S\u00f6zgelimi, Risale-i Nur dairesine mensubiyet gayretindeki baz\u0131 ki\u015filerin dahi anla\u015f\u0131lmaz bir gaflet ve dikkatsizlik eseri olarak <strong>&#8220;Risale-i Nur hakk\u0131nda en doyurucu ara\u015ft\u0131rma&#8221;<\/strong>y\u0131 yapm\u0131\u015f oldu\u011funu s\u00f6yledikleri \u015eerif Mardin, onun i\u00e7in <strong>&#8220;deizm&#8221;<\/strong> yak\u0131\u015ft\u0131rmas\u0131na cesaret edebiliyor. Dini bir sosyal ger\u00e7eklik olarak kabul eden, Kemalizmin ba\u015far\u0131s\u0131zl\u0131\u011f\u0131n\u0131 bu ger\u00e7ekli\u011fin ihmalinde arayan, ama dinin semav\u00eeli\u011fini -\u00f6zelde vahiy ve n\u00fcb\u00fcvvet ger\u00e7e\u011fini- kendi sek\u00fcler projelerinin en ciddi engeli olarak g\u00f6ren <strong>&#8220;sosyal m\u00fchendis&#8221;<\/strong>lerin mant\u0131\u011f\u0131na uygun bi\u00e7imde, muhtemelen kendi kafas\u0131ndaki sek\u00fcler din projesine <strong>&#8220;pilot b\u00f6lge&#8221;<\/strong> aray\u0131\u015f\u0131 i\u00e7inde, Risale-i Nur&#8217;un <strong>&#8220;deistic mood&#8221;<\/strong>undan dem vurabiliyor. Tanr\u0131y\u0131 kabul, ama vahyi ve n\u00fcb\u00fcvveti reddeden deizm yak\u0131\u015ft\u0131rmas\u0131, ona elveri\u015fli bir yol olarak g\u00f6z\u00fck\u00fcyor. Kendisi buna dair sat\u0131rlar ili\u015ftirirken, ba\u015fka ara\u015ft\u0131rmac\u0131lardan, bu konudaki tahlili geli\u015ftirmelerini umabiliyor. Semav\u00ee olan Kur&#8217;\u00e2n&#8217;\u0131n getirdi\u011fi nurlar \u00e7\u0131kar\u0131lsa geriye Risale-i Nur nam\u0131na bir\u015fey kalmayaca\u011f\u0131 ger\u00e7e\u011fine ra\u011fmen bu cesareti g\u00f6steriyor.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">\u00d6te yanda, anla\u015f\u0131lmaz bir inatla Risale-i Nur&#8217;a kar\u015f\u0131 hep so\u011fuk durmu\u015f M\u00fcsl\u00fcman entellekt\u00fcellerde, buna benzer bir kanaat g\u00f6zl\u00fcyoruz. Wittgenstein&#8217;\u0131n dil oyunlar\u0131 \u00fczerine de\u011fil saatlerini, aylar\u0131n\u0131 ve y\u0131llar\u0131n\u0131 harcayan bu entellekt\u00fceller, Wittgenstein&#8217;a ay\u0131rd\u0131klar\u0131 zaman\u0131n y\u00fczde birini Risale-i Nur&#8217;a ay\u0131r\u0131p \u015f\u00f6yle ku\u015fbak\u0131\u015f\u0131 bir okuma dahi ger\u00e7ekle\u015ftirmedikleri halde, Risale-i Nur&#8217;a muhatap olanlar\u0131n kimi kusurlar\u0131n\u0131 bu zanna dayal\u0131 kanaatlerini mesnet k\u0131lmaya giri\u015fiyorlar.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Konuya bu kadar kat\u0131 ve so\u011fuk bir nazarla bakmayan \u00e7evrelerde ise, Risale-i Nur&#8217;un olsa olsa Elmal\u0131l\u0131 tefsiriyle k\u0131yasland\u0131\u011f\u0131n\u0131; ona yak\u0131n ve hatta ondan biraz d\u00fc\u015f\u00fck bir konumda tutuldu\u011funu g\u00f6r\u00fcyoruz. \u00d6zelde ilahiyat fak\u00fclteleri ve Diyanet etraf\u0131nda k\u00fcmelenen <strong>&#8220;resm\u00ee&#8221;<\/strong> uleman\u0131n sergiledi\u011fi bu tavr\u0131n ilm\u00ee ger\u00e7ekli\u011fi ba\u015fl\u0131ba\u015f\u0131na bir inceleme konusu. Ama, her\u015feyden \u00f6nce, <strong>&#8220;O halde, devlet eliyle ve emriyle yazd\u0131r\u0131lan Elmal\u0131l\u0131 tefsiri ile ayn\u0131 tarihlerde telif edilen Risale-i Nur ayn\u0131 devlet eliyle ve emriyle neden yirmi k\u00fcsur y\u0131ll\u0131k bir s\u00fcrg\u00fcn, hapis, kovu\u015fturma ve eziyete konu k\u0131l\u0131nd\u0131?&#8221;<\/strong> sorusuna a\u00e7\u0131kl\u0131k getirmekten kesinlikle \u00e2ciz bulunuyor.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"color: #800000;\"><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Kaderin verdi\u011fi dersler<\/span><\/strong><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Peki, yaz\u0131m\u0131zda ancak bir derece ifade edebildi\u011fimiz, Risale-i Nur&#8217;a do\u011frudan muhatap olundu\u011funda daha berrak bir \u015fekilde ortaya \u00e7\u0131kan bir hakikate ra\u011fmen, neden kar\u015f\u0131m\u0131za b\u00f6yle bir sonu\u00e7 \u00e7\u0131k\u0131yor? Neden Kur&#8217;\u00e2n p\u0131nar\u0131ndan s\u00fcz\u00fclen <strong>&#8220;re\u015fha&#8221;<\/strong>lar sunan Risale-i Nur, v\u00e2k\u0131an\u0131n tam tersi olan <strong>&#8220;deistik&#8221;<\/strong> yak\u0131\u015ft\u0131rmalarla y\u00fczy\u00fcze kal\u0131yor?<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Konuya bu soruyla birlikte yakla\u015f\u0131ld\u0131\u011f\u0131nda, kaderin manidar derslerini okuyoruz. Kimileri sek\u00fcler h\u00fclyalar\u0131 u\u011fruna, kimileri ilm\u00ee enaniyetin sevkiyle haks\u0131zl\u0131k etse de, be\u015fer zulmederken kaderin nas\u0131l adalet etti\u011fini g\u00f6r\u00fcyoruz.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu noktada, a\u00e7\u0131k y\u00fcreklilikle, baz\u0131 itiraflarda bulunma durumunday\u0131z.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Kaderin b\u00f6ylesi bir durumla bizi y\u00fczy\u00fcze getirerek verdi\u011fi ilk ders, Risale-i Nur dairesine mensup bulunan fertler olarak bug\u00fcne dek Kur&#8217;\u00e2n&#8217;a o denli yo\u011fun ve ciddi bir \u00e2yine olan Risale-i Nur&#8217;dan beslenen \u00f6zg\u00fcn bir Kur&#8217;\u00e2n\u00ee tefekk\u00fcr modeli ve \u00f6rne\u011fi sunamay\u0131\u015f\u0131m\u0131zd\u0131r. Bu yap\u0131lamam\u0131\u015ft\u0131r. Tam aksine, zaman zaman, Risale-i Nur&#8217;un Kur&#8217;\u00e2n&#8217;a bak\u0131\u015f\u0131 hakk\u0131nda g\u00fcn\u00fcn ilcaat\u0131na g\u00f6re derdest edilmi\u015f aceleci sonu\u00e7lar sunulmu\u015ftur. Daha ziyade &#8220;g\u00fcn\u00fc kurtaran&#8221; bu sonu\u00e7lar, uzun vadede gerek Risale-i Nur&#8217;a, gerek Risale-i Nur&#8217;un t\u00fcm hakikatlerini kendisinden ald\u0131\u011f\u0131 Kur&#8217;\u00e2n&#8217;a bak\u0131\u015fta ufkumuzu daraltm\u0131\u015f, hatta yer yer yan\u0131lt\u0131c\u0131 olmu\u015ftur. &#8220;Mu&#8217;cizat-\u0131 enbiya&#8221; ve &#8220;teknoloji&#8221; ili\u015fkisi bunun bir \u00f6rne\u011fidir. &#8220;Yirminci S\u00f6z&#8221;de peygamber mu&#8217;cizelerinin her birinin bir terakkinin nihayetini g\u00f6sterdi\u011fi, be\u015ferin nazar\u0131n\u0131 k\u00e2inata dercedilmi\u015f bir \u00e2detullaha \u00e7evirip o \u00e2detin ke\u015ffine y\u00f6neltti\u011fi anlat\u0131l\u0131r. Ama bu anlat\u0131m, &#8220;Nas\u0131l kalk\u0131nabiliriz?&#8221; gibi dar, s\u0131\u011f ve bir bak\u0131ma sek\u00fcler bir perspektif ta\u015f\u0131maz. Bilakis, konu bir ubudiyet perspektifi i\u00e7inde ele al\u0131n\u0131r. Mesel\u00e2 S\u00fcleyman aleyhissel\u00e2m\u0131n mazhar oldu\u011fu mu&#8217;cizeler, \u015fu anlat\u0131m i\u00e7inde bir ke\u015ffin, bir terakkinin, bir tekni\u011fin nihayeti olarak sunulur:<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<blockquote>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8220;&#8230; \u0130\u015fte Cenab-\u0131 Hak \u015fu \u00e2yetlerin lisan-\u0131 remziyle manen diyor ki: &#8220;Ey insanlar! Bana tam abd olan bir hemcinsinize, onun n\u00fcb\u00fcvvetinin ismetine ve saltanat\u0131n\u0131n tam adaletine medar olmak i\u00e7in m\u00fclk\u00fcmdeki muazzam mahlukat\u0131 ona musahhar edip konu\u015fturuyorum ve c\u00fcn\u00fbdumdan ve hayvanat\u0131mdan \u00e7o\u011funu ona hizmetk\u00e2r veriyorum. \u00d6yle ise, herbirinize de madem g\u00f6k ve yer ve da\u011flar, hamlinden \u00e7ekindi\u011fi bir emanet-i k\u00fcbray\u0131 tevdi etmi\u015fim. Halife-i zemin olmak istidad\u0131n\u0131 vermi\u015fim. \u015eu mahl\u00fbkat\u0131n da dizginleri kimin elinde ise, Ona r\u00e2m olman\u0131z l\u00e2z\u0131md\u0131r. T\u00e2 Onun m\u00fclk\u00fcndeki mahluklar da size r\u00e2m olabilsin ve onlar\u0131n dizginleri elinde olan Z\u00e2t&#8217;\u0131n nam\u0131na elde ebedilseniz ve istidatlar\u0131n\u0131za l\u00e2y\u0131k makama \u00e7\u0131ksan\u0131z&#8230;&#8221;&#8216;<\/span><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu ifadelerin devam\u0131nda, teknolojiye yaln\u0131z d\u00fcnyev\u00ee bir yakla\u015f\u0131mla talip olup d\u00fcnyev\u00ee bir terakkiyi ama\u00e7layanlar\u0131n tavr\u0131<strong> &#8220;m\u00e2n\u00e2s\u0131z bir e\u011flence&#8221;, &#8220;insaniyetin iktiza etti\u011fi makamdan insan\u0131 d\u00fc\u015f\u00fcrten lehviyyat&#8221;<\/strong> olarak yorumlan\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">S\u00fcleyman aleyhissel\u00e2ma ili\u015fkin bu tek \u00f6rnek dahi, onun konuya yakla\u015f\u0131m\u0131ndaki \u00e7izgiyi a\u00e7\u0131k\u00e7a g\u00f6sterir. Bu mu&#8217;cizelerden al\u0131nan ders, <strong>&#8220;ubudiyet&#8221;<\/strong> dersidir, Allah&#8217;a tam abd olmakt\u0131r. Mucizeler, bu ubudiyete kar\u015f\u0131l\u0131k birer ilah\u00ee ikramd\u0131r. B\u00f6ylesi bir bahsin <strong>&#8220;Nas\u0131l kalk\u0131nabiliriz?&#8221;<\/strong> sorusu ekseninde ele al\u0131nmas\u0131; sek\u00fcler bir teknoloji problemati\u011fine hasredilmesi a\u00e7\u0131k bir yan\u0131lg\u0131d\u0131r. Fakat, bu bahis \u0130sl\u00e2m&#8217;\u0131n &#8220;irtica&#8221; itham\u0131na maruz b\u0131rak\u0131ld\u0131\u011f\u0131 ve de M\u00fcsl\u00fcmanlar\u0131n iki y\u00fczy\u0131ld\u0131r <strong>&#8220;Neden geri kald\u0131k?&#8221;<\/strong> diye hay\u0131fland\u0131\u011f\u0131 bir sosyal ortamda, bu yan\u0131lg\u0131dan pay\u0131n\u0131 alm\u0131\u015f; as\u0131l ekseninden, as\u0131l vurgusundan \u00f6nemli \u00f6l\u00e7\u00fcde soyutlanarak anla\u015f\u0131lm\u0131\u015f ve de o \u015fekilde sunulmu\u015ftur. &#8220;Yirminci S\u00f6z&#8221;deki bahislerin ba\u015f\u0131na gelen bu problem, ba\u015fka bir\u00e7ok risalenin de ba\u015f\u0131na gelmi\u015ftir. B\u00f6ylesi bir sunu\u015f tarz\u0131 ise, Risale-i Nur&#8217;a zaten so\u011fuk duran kesimlerin onu &#8220;pozitivist,&#8221; &#8220;ilerlemeci&#8221; gibi yaftalarla tan\u0131mlamalar\u0131na zemin haz\u0131rlam\u0131\u015ft\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Ele ald\u0131\u011f\u0131m\u0131z \u00f6rnek, bu tan\u0131mlaman\u0131n Risale-i Nur i\u00e7in ne denli yak\u0131\u015f\u0131ks\u0131z d\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc g\u00f6sterir. Ama, Risale-i Nur dairesine mensup bir\u00e7ok insan\u0131n onu sunu\u015f tarz\u0131 i\u00e7in, ayn\u0131 \u015feyi s\u00f6ylemek imk\u00e2ns\u0131zd\u0131r. Sonu\u00e7ta, mensuplar\u0131n\u0131n Risale-i Nur harici paradigmalarla Risale-i Nur&#8217;a yakla\u015fmalar\u0131 hem kendilerinin Risale-i Nur&#8217;a bak\u0131\u015flar\u0131n\u0131 g\u00f6lgelemi\u015f, hem de sair insanlar\u0131n Risale-i Nur&#8217;a hak etmedi\u011fi bir \u00f6nyarg\u0131yla bakmalar\u0131na yol a\u00e7m\u0131\u015ft\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Benzer bir durum, Risale-i Nur&#8217;un k\u00e2inata bak\u0131\u015f\u0131yla ilgilidir. Risale-i Nur, ba\u015ftan sona, k\u00e2inattan s\u00f6z eder. Baz\u0131 ehl-i dinin ak\u0131l almaz bir bedbahtl\u0131kla onu<strong> &#8220;\u00e7i\u00e7ek-b\u00f6cek muhabbeti&#8221;<\/strong> diye hafife almalar\u0131na yol a\u00e7an bu \u0131srar, esasen Kur&#8217;\u00e2n&#8217;\u0131n mal\u0131d\u0131r ve onun dersidir. \u00c7i\u00e7e\u011fi de, b\u00f6ce\u011fi de, sine\u011fi de, y\u0131ld\u0131z\u0131 da Allah&#8217;\u0131n \u00e2yetleri olarak nazarlara veren Kur&#8217;\u00e2n-\u0131 Mu&#8217;ciz\u00fc&#8217;l-Beyan&#8217;d\u0131r. Risale-i Nur onlardan s\u00f6z ediyorsa, \u00fcstad\u0131 olan Kur&#8217;\u00e2n onlardan s\u00f6z etti\u011fi i\u00e7in s\u00f6z etmektedir. Ve Kur&#8217;\u00e2n onlar\u0131 hangi ba\u011flamda hangi maksatla s\u00f6zkonusu ediyorsa, Risale-i Nur da o ba\u011flamda o maksatla s\u00f6zkonusu etmektedir. Fakat, Risale-i Nur dairesine mensup olan bizlerin, risalelerdeki bu k\u00e2inat vurgusunun Kur&#8217;\u00e2n\u00ee ba\u011f\u0131n\u0131 yeterince g\u00fc\u00e7l\u00fc bir bi\u00e7imde ortaya koyamad\u0131\u011f\u0131m\u0131z; bu k\u00e2inat vurgusunu Kur&#8217;\u00e2n&#8217;\u0131n bir emri ve dersi olarak sunamad\u0131\u011f\u0131m\u0131z da bir v\u00e2k\u0131ad\u0131r.4<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"color: #800000;\"><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Ayet\u00fc&#8217;l-K\u00fcbra&#8217;n\u0131n \u00f6\u011fretti\u011fi<\/span><\/strong><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Buna dair \u015f\u00f6yle bir \u015fahs\u00ee bir g\u00f6zlemime de\u011finmek isterim. De\u011fi\u015fik vesilelerle, Risale-i Nur&#8217;u \u015fu veya bu d\u00fczeyde okuyan belli ki\u015filere \u015fu soruyu sormu\u015fuzdur: <strong>&#8220;Ayet\u00fc&#8217;l-K\u00fcbra ne ile ba\u015fl\u0131yor?&#8221;<\/strong> Al\u0131nan cevap, genelde \u015fu olmu\u015ftur: <strong>&#8220;Y\u0131ld\u0131zlarla.&#8221;<\/strong> Bu cevap, ilk anda k\u00fc\u00e7\u00fck g\u00f6z\u00fcken, ama Risale-i Nur&#8217;un hak etti\u011fi muhatabiyeti g\u00f6remeyi\u015finin, \u00fcstelik hak etmedi\u011fi iftiralara konu edili\u015finin belki en \u00f6nemli sebebi olan bir dikkatsizli\u011fin habercisidir. <span style=\"color: #800000;\"><strong>Ger\u00e7ekten Ayet\u00fc&#8217;l-K\u00fcbra ne ile ba\u015flar?<\/strong><\/span><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>Elcevap:<\/strong> el-\u00e2yet\u00fc&#8217;l-k\u00fcbra ile. Bu b\u00fcy\u00fck \u00e2yet, \u0130sra s\u00fbresinin 44. \u00e2yetidir. Bu \u00e2yet, yedi kat sema, arz ve bunlarda bulunan her\u015feyin Onu tesbih ettiklerini, Onu hamd ve tesbih etmeyen hi\u00e7bir \u015fey olmad\u0131\u011f\u0131n\u0131 belirtmekte; <span style=\"color: #800000;\"><strong>&#8220;L\u00e2kin siz onlar\u0131n tesbihini kavram\u0131yorsunuz&#8221;<\/strong><\/span> demektedir. \u0130\u015fte, \u00e2yet-i k\u00fcbra budur. Ayet\u00fc&#8217;l-K\u00fcbra ise, i&#8217;caz anahtar\u0131yla bu \u00e2yetten al\u0131nan bir ders h\u00fckm\u00fcndedir. M\u00fcellifinin kendi ifadesiyle,<strong> &#8220;el \u00e2yet\u00fc&#8217;l-k\u00fcbran\u0131n bir al\u00e2met-i k\u00fcbras\u0131 ve bir tefsir-i \u00e2zam\u0131&#8221;<\/strong>d\u0131r; <strong>&#8220;menba\u0131 olan \u00e2yet\u00fc&#8217;l-k\u00fcbran\u0131n azametini&#8221;<\/strong> g\u00f6stermektedir (bkz. \u015eu\u00e2lar, s. 615). Bu \u00e2yetin zikriyle ba\u015flayan s\u00f6zkonusu eser, nazarlar\u0131 ilk \u00f6nce y\u0131ld\u0131zlara \u00e7eviriyorsa, \u00e2yet ilk \u00f6nce yedi kat semav\u00e2t\u0131n Onu tesbih edi\u015fine dikkat \u00e7ekti\u011fi i\u00e7indir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Risale-i Nur&#8217;un Kur&#8217;\u00e2n&#8217;la olan bu rab\u0131tas\u0131 Risale-i Nur&#8217;a mensup olanlar\u0131n dikkatinden \u015fu veya bu d\u00fczeyde ka\u00e7arsa, ba\u015fkalar\u0131n\u0131n nazar\u0131ndan da elbette ka\u00e7acakt\u0131r. S\u00f6zgelimi Ayet\u00fc&#8217;l-K\u00fcbra, bu semav\u00ee \u00fcstad\u0131n\u0131n zikri unutularak sunulursa, Risale-i Nur&#8217;un k\u00e2inat vurs\u00fcmgusunu <strong>&#8220;deizm&#8221;<\/strong>e yormak isteyenler de, <strong>&#8220;pozitivizm&#8221;<\/strong> yaftas\u0131yla onu karalay\u0131p okuma zahmetinden kurtulmak isteyenler de elbette bu c\u00fcr&#8217;etlerine cesaret bulacaklard\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"color: #800000;\"><strong><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Kur&#8217;\u00e2n&#8217;a ayna olan Risale-i Nur&#8217;a perde olmamak<\/span><\/strong><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Ayr\u0131ca, Risale-i Nur&#8217;dan temellenme iddias\u0131ndaki bir\u00e7ok eser, Risale-i Nur&#8217;un \u00f6n\u00fcndeki ciddi birer perde h\u00fckm\u00fcndedir. Bug\u00fcn, de\u011fi\u015fik yay\u0131nevlerince de\u011fi\u015fik yazarlarca yaz\u0131lm\u0131\u015f bir dizi kitap <strong>&#8220;Risale-i Nur \u0131\u015f\u0131\u011f\u0131nda,&#8221; &#8220;Risale-i Nur&#8217;a g\u00f6re,&#8221; &#8220;Risale-i Nur a\u00e7\u0131s\u0131ndan&#8221;<\/strong> gibi birtak\u0131m alt veya \u00fcst ba\u015fl\u0131klarla sunulmaktad\u0131r. Bir eseri b\u00f6ylesi bir ba\u015fl\u0131\u011fa l\u00e2y\u0131k g\u00f6rebilmek i\u00e7in, o eserin Risale-i Nur&#8217;un t\u00fcm\u00fcne n\u00fcfuz edebilmesi gerekir. Oysa, s\u00f6zkonusu eserlerin hemen hepsi, kendi yazar\u0131n\u0131n bak\u0131\u015f\u0131 ve paradigmas\u0131yla Risale-i Nur&#8217;u de\u011ferlendirmekte; bu bak\u0131\u015f ise Risale-i Nur&#8217;u ku\u015fatmaktan \u00e2ciz g\u00f6r\u00fcnmektedir. Bu sat\u0131rlar\u0131n yazar\u0131, Risale-i Nur&#8217;a bir \u015fekilde muhatap olmu\u015f insanlar\u0131n kendi anlad\u0131klar\u0131n\u0131 yazmalar\u0131n\u0131 elzem bulmakla birlikte; bu \u00e7al\u0131\u015fmalar\u0131 Risale-i Nur&#8217;un bak\u0131\u015f\u0131 tam da kendi yazd\u0131klar\u0131ym\u0131\u015f gibi sunan s\u00f6zkonusu ba\u015fl\u0131klar\u0131 Risale-i Nur&#8217;a kar\u015f\u0131 i\u015flenmi\u015f ciddi bir kusur olarak g\u00f6rmektedir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Yazar ve yay\u0131nevi ismi vermeksizin ele alaca\u011f\u0131m\u0131z bir eser, bu <strong>&#8220;kusur&#8221;<\/strong>un Kur&#8217;\u00e2n&#8217;la ilgili boyutunu rahat\u00e7a g\u00f6rmemizi sa\u011flamaktad\u0131r. Eser, <strong>&#8220;Bedi\u00fczzaman ve Milliyet\u00e7ilik&#8221;<\/strong>le ilgilidir. Ama, eserin ba\u015f\u0131ndan sonuna dek, Said Nurs\u00ee&#8217;nin milliyet\u00e7ili\u011fe bak\u0131\u015f\u0131n\u0131 hangi temel referanslar\u0131n belirledi\u011fine dair hi\u00e7bir kayda rastlamak m\u00fcmk\u00fcn de\u011fildir. Said Nurs\u00ee, milliyet\u00e7ili\u011fe Kur&#8217;\u00e2n\u00ee bir perspektif i\u00e7inde bakmakta; mesel\u00e2 <strong>&#8220;Yirmialt\u0131nc\u0131 Mektup&#8221;<\/strong>taki milliyet\u00e7ilik bahsini Hucurat s\u00fbresinin 13. \u00e2yeti ekseninde yazmaktad\u0131r. <strong>&#8220;Otuzuncu S\u00f6z&#8221;<\/strong>deki milliyet\u00e7ilik bahsi Lokman: 13&#8217;e, \u00f6zellikle l\u00e2hikalardaki milliyet\u00e7ilik bahisleri ise Necm: 38&#8217;e bakmaktad\u0131r. Bu husus\u00ee \u00e2yetlerin yan\u0131s\u0131ra, onun bu konudaki bak\u0131\u015f\u0131n\u0131n Kur&#8217;\u00e2n&#8217;\u0131n umumundan ald\u0131\u011f\u0131 dersler ile de mutlak bir ba\u011f\u0131 vard\u0131r. Fakat, <strong>&#8220;Bedi\u00fczzaman ve Milliyet\u00e7ilik&#8221;<\/strong>i \u00e7al\u0131\u015fan s\u00f6zkonusu eserde, onun Kur&#8217;\u00e2n\u00ee referanslar\u0131ndan hi\u00e7birini bulmak m\u00fcmk\u00fcn de\u011fildir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Risale-i Nur&#8217;un bu semav\u00ee \u00fcstadla ba\u011flant\u0131s\u0131n\u0131n kopmas\u0131 ise, feci bir yan\u0131lg\u0131ya yol a\u00e7maktad\u0131r. Kur&#8217;\u00e2n aradan \u00e7ekilince, ortaya konulan tefekk\u00fcr Said Nurs\u00ee&#8217;nin kendi akl\u0131nca \u00fcretti\u011fi bir tefekk\u00fcr olarak g\u00f6r\u00fclmektedir. Sonu\u00e7ta, \u00e7oklar\u0131 e\u011fer bu tefekk\u00fcrde isabet g\u00f6r\u00fcrlerse bunu Said Nurs\u00ee&#8217;ye mal edip \u00f6vg\u00fcy\u00fc onun \u015fahs\u0131na y\u00f6neltmekte; bu tefekk\u00fcre bir \u015fekilde kalbini kapam\u0131\u015f olanlar ise, mahrum kald\u0131klar\u0131 \u015feyin Kur&#8217;\u00e2n&#8217;\u0131n bir nuru oldu\u011funu g\u00f6rememektedir. A\u00e7\u0131k\u00e7as\u0131, sonu\u00e7, her iki a\u00e7\u0131dan da h\u00fcz\u00fcn vericidir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Sonu\u00e7, en nihayeti Said Nurs\u00ee takdir ediliyor olsa da h\u00fcz\u00fcn vericidir. Zira, takdirin \u015fahs\u0131na y\u00f6neltildi\u011fi ki\u015fi, <span style=\"color: #800000;\"><strong>&#8220;Yaz\u0131lan b\u00fct\u00fcn S\u00f6zlerdeki b\u00fct\u00fcn hakikatlar Kur&#8217;\u00e2n&#8217;\u0131n mal\u0131d\u0131r; ben bir ilanc\u0131y\u0131m; aczime ve ihtiyac\u0131ma binaen dell\u00e2l\u0131 olmak bana nasip oldu. G\u00fczellik ve kemal, Kur&#8217;\u00e2n&#8217;\u0131nd\u0131r&#8221;<\/strong><\/span> mealindeki uyar\u0131larla, \u015fahs\u0131nda tak\u0131l\u0131p kalan bir muhatabiyeti s\u00fcrekli k\u0131rmaya \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Zaten, daha Risale-i Nur&#8217;un ilk filizlerinin kalbinde \u00e7imlenmeye ba\u015flad\u0131\u011f\u0131 bir d\u00f6nemde yazd\u0131\u011f\u0131 S\u00fcnuhat&#8217;ta, bu konuda ge\u00e7mi\u015fe d\u00f6n\u00fck bir muhasebeyle birlikte kendine ait dersler \u00e7\u0131karmaktad\u0131r. Bu eserde, o, <strong>&#8220;M\u00fcctehid\u00eenin kitaplar\u0131 vesile gibi, cam gibi Kur&#8217;\u00e2n&#8217;\u0131 g\u00f6stermeli, yoksa vekil, g\u00f6lge olmamal\u0131&#8221;<\/strong> der. Halbuki v\u00e2k\u0131a bu olmam\u0131\u015ft\u0131r. Kur&#8217;\u00e2n&#8217;\u0131n g\u00f6lgesinde yaz\u0131lan kitaplar, zamanla Kur&#8217;\u00e2n&#8217;\u0131 g\u00f6lgeler bir hal alm\u0131\u015flard\u0131r. <span style=\"color: #800000;\"><strong>&#8220;\u015eeriat kitaplar\u0131, birer \u015feffaf cam mahiyetinde olmak l\u00e2z\u0131m gelirken, m\u00fcrur-u zamanla mukallidlerin hatas\u0131 y\u00fcz\u00fcnden paslan\u0131p hicab olmu\u015flard\u0131r. Evet bu kitaplar, Kur&#8217;\u00e2n&#8217;a tefsir olmak l\u00e2z\u0131m iken ba\u015fl\u0131ba\u015f\u0131na tasnifat h\u00fckm\u00fcne ge\u00e7mi\u015flerdir&#8230;&#8221;<\/strong><\/span><\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><span style=\"color: #800000;\"><strong><\/strong><\/span> \u0130sl\u00e2m d\u00fcnyas\u0131n\u0131n as\u0131rlard\u0131r ya\u015fad\u0131\u011f\u0131 iman\u00ee ve amel\u00ee zaaf\u0131, <strong>&#8220;me&#8217;hazdaki kudsiyet&#8221;<\/strong>in \u00f6nemine dair bir tesbit e\u015fli\u011finde bununla do\u011frudan do\u011fruya ilgili g\u00f6ren Said Nurs\u00ee, \u00e7\u00f6z\u00fcm\u00fc \u015furada g\u00f6r\u00fcr: <span style=\"color: #800000;\"><strong>&#8220;h\u00e2c\u00e2t-\u0131 diniyede cumhurun enzar\u0131n\u0131 do\u011frudan do\u011fruya cazibe-i i&#8217;caz ile revnekdar ve kudsiyetle h\u00e2ledar ve daima iman vas\u0131tas\u0131yla vicdan\u0131 ihtizaza getiren Hitab-\u0131 Ezel\u00eenin timsali bulunan Kur&#8217;\u00e2n&#8217;a \u00e7evirmek.&#8221;<\/strong><\/span><\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Risale-i Nur b\u00f6ylesi bir gayenin ve gayretin neticesi olarak do\u011fmu\u015ftur. Ama maalesef, daha \u00f6nceki pek \u00e7ok iman\u00ee eserin sonradan kar\u015f\u0131la\u015ft\u0131\u011f\u0131 problemin bir benzeriyle o da y\u00fczy\u00fcze kalm\u0131\u015ft\u0131r. Said Nurs\u00ee Risale-i Nur&#8217;daki hakikatlerin Kur&#8217;\u00e2n denizinden al\u0131nm\u0131\u015f damlalar oldu\u011funu s\u00f6yleyip nazarlar\u0131 Kur&#8217;\u00e2n&#8217;a \u00e7evirdi\u011fi halde, Risale-i Nur&#8217;a dair bir\u00e7ok ara\u015ft\u0131rmada, bu vurgu ihmale u\u011framaktad\u0131r. Risale-i Nur Kur&#8217;\u00e2n&#8217;a ayna olmak istedi\u011fi halde, o aynadaki g\u00fczelli\u011fin hangi g\u00fcne\u015ften aksetti\u011fi gere\u011fince ortaya konulmamaktad\u0131r. Bu tavr\u0131n a\u015f\u0131lmas\u0131, Risale-i Nur&#8217;un kuds\u00ee kaynaklar\u0131yla olan rab\u0131tas\u0131n\u0131n zihinlerde, dillerde ve kalemlerde asla ihmale gelmemesi gerekmektedir.5 T\u00e2 ki, Risale-i Nur m\u00fcellifinin amac\u0131 ger\u00e7ekle\u015fsin. T\u00e2 ki, Risale-i Nur, <span style=\"color: #800000;\"><strong>&#8220;Bendeki g\u00fczellik Kur&#8217;\u00e2n&#8217;dand\u0131r&#8221;<\/strong><\/span> mesaj\u0131n\u0131 daha y\u00fcksek bir sadayla s\u00f6ylemi\u015f olsun. T\u00e2 ki, Risale-i Nur nazarlar\u0131 Kur&#8217;\u00e2n&#8217;a \u00e7evirip Kur&#8217;\u00e2n\u00ee bir tefekk\u00fcre haz\u0131rlas\u0131n.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">S\u00f6z\u00fcn\u00fc etti\u011fimiz bu son probleme paralel di\u011fer bir problem, terminoloji ile ilgilidir. Risale-i Nur, \u00f6n\u00fcm\u00fcze Kur&#8217;\u00e2n\u00ee ve nebev\u00ee bir kaynaktan s\u00fcz\u00fclen bir kavram haritas\u0131 sunmaktad\u0131r. Fakr, iktisat, ibadet, nefs, \u015f\u00fck\u00fcr, hamd, tesbihat, \u015firk, tu\u011fyan, hidayet, dalalet, m\u00e2n\u00e2-y\u0131 ism\u00ee, m\u00e2n\u00e2-y\u0131 harf\u00ee, niyet, ene.. gibi bir dizi terim, bunun \u00f6rne\u011fidir. Bu terminolojiyi Said Nurs\u00ee&#8217;ye has k\u0131lmakla, kuds\u00ee kaynaklar\u0131n\u0131 vurgulayarak sunmak aras\u0131nda elbette muazzam bir fark vard\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bir di\u011fer husus, Risale-i Nur m\u00fcellifinin Kur&#8217;\u00e2n\u00ee bir tefekk\u00fcr sergilerken, <strong>&#8220;\u00e2yetin hadsiz denizinden bir katre&#8221;, &#8220;bu \u00e2yet-i uzm\u00e2n\u0131n binler hikmetinden bir hikmeti&#8221;<\/strong> gibi ifadeler kullanmas\u0131d\u0131r. Bu ifadeler, kendi akl\u0131n\u0131 \u00e2yetin dersine talebe k\u0131lan, ama \u00e2yeti kendi akl\u0131n\u0131n kal\u0131plar\u0131yla s\u0131n\u0131rland\u0131rmayan dikkatli ve tutarl\u0131 bir tavr\u0131n sonucudur. Ger\u00e7ekten, Ezel ve Ebed Sultan\u0131n\u0131n Kel\u00e2m-\u0131 Ezel\u00eesini hangi fani t\u00fcm\u00fcyle ihata edebilir? O, bir fani, ve Kur&#8217;\u00e2n&#8217;\u0131 hakk\u0131yla seven bir Kur&#8217;\u00e2n talebesi olarak, \u00e2yetlerin anlam\u0131n\u0131 kendi anlay\u0131\u015f\u0131yla s\u0131n\u0131rlama bedbahtl\u0131\u011f\u0131na d\u00fc\u015fmez. Hatta bir\u00e7ok yerde bir \u00e2yetin veya s\u00fbrenin anla\u015f\u0131lmas\u0131na dair ipu\u00e7lar\u0131 vererek, devam\u0131n\u0131 okuyucuya b\u0131rak\u0131r. Mesel\u00e2 &#8220;Yirmibe\u015finci S\u00f6z&#8221;de, \u0130hlas s\u00fbresinin i&#8217;caz\u0131na temas ederken \u00fc\u00e7 \u00f6rnek verir, ard\u0131ndan <strong>&#8220;Daha sen buna g\u00f6re k\u0131yas et&#8221;<\/strong> der. B\u00f6ylece bizleri Kur&#8217;\u00e2n\u00ee bir tefekk\u00fcre ve sundu\u011fu yakla\u015f\u0131m\u0131 geli\u015ftirmeye \u00e7a\u011f\u0131ran bir m\u00fcellife y\u00f6nelik en ciddi mukabele, onun istedi\u011fi gibi, bu <strong>&#8220;k\u0131yas&#8221;<\/strong>\u0131 s\u00fcrd\u00fcrmek olurdu. Ne var ki, Risale-i Nur dairesine mensup olan bizlerin, bu konuda manidar bir \u00fcr\u00fcn ortaya koyamad\u0131klar\u0131n\u0131 itiraf etme durumunday\u0131z. Onun Kur&#8217;\u00e2n&#8217;a muhatabiyet usul\u00fc ve \u00fcslubu l\u00e2y\u0131k\u0131nca \u00f6z\u00fcmsenebilseydi, ihtimal Risale-i Nur&#8217;dan al\u0131nan dersle, bug\u00fcne kadar \u00e7ok \u00f6zg\u00fcn Kur&#8217;\u00e2n\u00ee tefekk\u00fcr \u00f6rnekleri sergilenmi\u015f olurdu. Said Nurs\u00ee&#8217;nin<span style=\"color: #800000;\"><strong> &#8220;&#8230;in\u015faallah Risale-i Nur&#8217;un bir \u015fakirdi, s\u00fbre-i Rahman\u0131 tefsir edip bu meseleyi de halleder&#8221;<\/strong><\/span> gibi ifadelerle Risale-i Nur talebelerini a\u00e7\u0131k\u00e7a te\u015fvik etmesine ra\u011fmen, hen\u00fcz bu a\u00e7\u0131l\u0131m ger\u00e7ekle\u015febilmi\u015f de\u011fildir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu a\u00e7\u0131l\u0131m\u0131n ger\u00e7ekle\u015fmesi, en ba\u015fta bu a\u00e7\u0131l\u0131ma olan ihtiyac\u0131n fark\u0131na var\u0131lmas\u0131; ard\u0131ndan bu y\u00f6nde ciddi bir gayret ve dikkatin sarfedilmesiyle m\u00fcmk\u00fcnd\u00fcr.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu a\u015famada, yukar\u0131da s\u00f6z\u00fcn\u00fc etti\u011fimiz hususlara ilaveten, zihnimize ekilmi\u015f l\u00e2din\u00ee tohumlar\u0131n da bertaraf edilmesi gerekmektedir. Bilginin kayna\u011f\u0131na ili\u015fkin pozitivist \u015fartlanmalar bunlar\u0131n en ba\u015f\u0131nda gelir. \u0130nsanl\u0131k tarihini felsef\u00ee ve nebev\u00ee olmak \u00fczere iki keskin \u00e7izgiye ay\u0131ran problem budur. \u0130nsan akl\u0131 kendi ba\u015f\u0131na bir bilgi kayna\u011f\u0131 m\u0131d\u0131r, yoksa bir m\u00fcr\u015fidin ir\u015fad\u0131yla i\u015fg\u00f6ren bir arac\u0131 m\u0131? Risale-i Nur&#8217;un bu noktadaki cevab\u0131 nettir. Akl\u0131n kullan\u0131lmas\u0131 konusundaki o derece yo\u011fun \u0131srar\u0131yla birlikte, akl\u0131 bir \u00e2let olarak g\u00f6rmektedir. Ak\u0131l, ancak vahyin ir\u015fad\u0131yla insan\u0131 hakikate ula\u015ft\u0131r\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Risale-i Nur&#8217;un bu konudaki \u0131srar\u0131, \u00e7ok de\u011fi\u015fik risalelerde g\u00f6r\u00fcl\u00fcr. <strong>&#8220;Ene&#8221;<\/strong> bahsinde felsefe bu temelde bir sorgulamaya konu edilir. <strong>&#8220;\u0130&#8217;caz-\u0131 Kur&#8217;\u00e2n&#8221;<\/strong> risalesinin sonunda, Mu&#8217;tezile imamlar\u0131 akl\u0131 h\u00e2kim k\u0131ld\u0131\u011f\u0131 i\u00e7in ele\u015ftirilir. Ayn\u0131 risalede, T\u00fbr s\u00fbresinin 32. \u00e2yetini tefsir b\u00e2b\u0131nda, Kur&#8217;\u00e2n&#8217;a hitaben \u015fu ifadeler kullan\u0131l\u0131r:<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"> <span style=\"color: #800000;\">&#8220;Acaba ak\u0131llar\u0131na g\u00fcvenen ak\u0131ls\u0131z feylesoflar gibi, \u2018Akl\u0131m\u0131z bize yeter&#8217; deyip sana ittibadan istink\u00e2f m\u0131 ederler? Halbuki: Ak\u0131l ise, sana ittiba\u0131 emreder. \u00c7\u00fcnki: B\u00fct\u00fcn dedi\u011fin m\u00e2kuld\u00fcr. Fakat ak\u0131l kendi ba\u015f\u0131yle ona yeti\u015femez.&#8221;<\/span><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><strong>&#8220;Bilginin kayna\u011f\u0131&#8221;<\/strong> probleminin Risale-i Nur&#8217;a bakan bir boyutu daha vard\u0131r. Said Nurs\u00ee bir m\u00fctefekkirdir; ama kendi akl\u0131nca tefekk\u00fcr eden bir m\u00fctefekkir de\u011fildir. Kur&#8217;\u00e2n&#8217;a talebe olmu\u015f; hikmet ve hakikat dersini ondan alm\u0131\u015f bir m\u00fctefekkirdir. Nitekim, mesel\u00e2 Esma-i H\u00fcsna Risale-i Nur&#8217;da bu denli merkez\u00ee bir yer tutuyorsa, bu, Said&#8217;in kendi icad\u0131 de\u011fildir; esma-i h\u00fcsnan\u0131n Kur&#8217;\u00e2n&#8217;da merkez\u00ee bir yer tutmas\u0131na binaendir. Risale-i Nur <strong>&#8220;Ehadiyet&#8221;<\/strong> \u00fczerinde yo\u011funla\u015f\u0131yorsa, bu, Kur&#8217;\u00e2n \u00e2yetleri Ehadiyet dersi verdi\u011fi i\u00e7indir. Risale-i Nur k\u00e2inat\u0131 bu denli yo\u011fun bir bi\u00e7imde \u00e7al\u0131\u015f\u0131yorsa, Kur&#8217;\u00e2n nazarlar\u0131 Allah&#8217;\u0131 tan\u0131tan \u00e2yetler olarak k\u00e2inata y\u00f6neltti\u011fi i\u00e7indir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">\u00d6te taraftan, Risale-i Nur&#8217;un Kur&#8217;\u00e2n&#8217;la modern bilimleri kolkola ele ald\u0131\u011f\u0131 iddias\u0131 tutars\u0131z bir iddiad\u0131r. Kur&#8217;\u00e2n ile bilimi ayn\u0131 d\u00fczeyde ve d\u00fczlemde g\u00f6rmeyen; Kur&#8217;\u00e2n&#8217;\u0131 efendi ve m\u00fcr\u015fid, bilimi ise k\u00f6le ve \u00f6\u011frenci olarak tarif eden bir k\u00fclliyat, bu ikisini nas\u0131l e\u015fit d\u00fczeyde, kolkola ve yan yana g\u00f6rebilir?<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Di\u011fer yanda, Kur&#8217;\u00e2n&#8217;a muhatap olmak, Kur&#8217;\u00e2n&#8217;dan ba\u015fka her\u015feyi hi\u00e7e sayan kuru bir mealcilik yapmak de\u011fildir. Bilakis, bu muhatabiyet, Kur&#8217;\u00e2n&#8217;\u0131n <strong>&#8220;usve-i hasene\/en g\u00fczel \u00f6rnek&#8221;<\/strong> olarak tan\u0131mlad\u0131\u011f\u0131; Allah&#8217;\u0131n sevgisini kazanmay\u0131 ona ittibaya ba\u011flad\u0131\u011f\u0131 Resul-i Ekrem&#8217;in s\u00fcnnet-i seniyyesine muhatabiyeti de gerektirir. Kur&#8217;\u00e2n&#8217;\u0131n en b\u00fcy\u00fck ve nuran\u00ee m\u00fcfessiri odur. Keza, Kur&#8217;\u00e2n&#8217;a muhatap olmak, Kur&#8217;\u00e2n&#8217;\u0131n \u00f6vg\u00fcs\u00fcne mazhar olan sahabeye; ayr\u0131ca, Kur&#8217;\u00e2n&#8217;\u0131n <strong>&#8220;r\u00e2sih\u00fbne fi&#8217;l-ilm&#8221;<\/strong> tan\u0131m\u0131na m\u00e2sadak olan selef \u00e2limlerine muhatabiyeti de i\u00e7erir. Kur&#8217;\u00e2n&#8217;\u0131n neyi ifade etti\u011finin ve beyan etti\u011fi hakikatlerin nas\u0131l ya\u015fanaca\u011f\u0131n\u0131n en birinci ve en y\u00fcksek \u00f6rne\u011fini Resul-i Ekrem sunmu\u015ftur. Sahabiler ondan bu dersi alm\u0131\u015f ve sonraki ku\u015faklara aktarm\u0131\u015flard\u0131r. Selef-i s\u00e2lih\u00eenin \u00e7izgisi i\u015fte bu temelde; Kur&#8217;\u00e2n, s\u00fcnnet ve sahabi mesle\u011fi \u00fczere olu\u015fmu\u015ftur. Kur&#8217;\u00e2n&#8217;\u0131n nas\u0131l anla\u015f\u0131laca\u011f\u0131n\u0131 anlamak, bu yolda \u00f6m\u00fcr ve mesai sarfetmi\u015f say\u0131s\u0131z nuran\u00ee kalbin ve m\u00fcnevver akl\u0131n yolunu elinin tersiyle iterek de\u011fil, onlar\u0131n a\u00e7t\u0131\u011f\u0131 yolda y\u00fcr\u00fcyerek ger\u00e7ekle\u015fir. Risale-i Nur m\u00fcellifinin kendi hayat \u00e7izgisi bu \u00e7izgide \u015fekillenmi\u015ftir. <\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">T\u00fcm risaleler, onun Kur&#8217;\u00e2n&#8217;\u0131 anlama yolunda Resul-i Ekrem, sahabe ve selef-i s\u00e2lih\u00eenden ald\u0131\u011f\u0131 manidar dersleri ve talimleri de yans\u0131tmaktad\u0131r. Dolay\u0131s\u0131yla, Risale-i Nur&#8217;un Kur&#8217;\u00e2n&#8217;\u0131 \u00f6ne \u00e7\u0131karma \u00e7a\u011fr\u0131s\u0131, Kur&#8217;\u00e2n&#8217;a ayna olmu\u015f o nuran\u00ee halkay\u0131 atlayarak de\u011fil, onlar\u0131n yolunu izleyerek ger\u00e7ekle\u015febilir. Kuru bir mealcilik, Kur&#8217;\u00e2n&#8217;\u0131 \u00f6ne \u00e7\u0131karma k\u0131l\u0131f\u0131yla kendi akl\u0131n\u0131 \u00f6ne \u00e7\u0131karmaktan \u00f6te bir gayretke\u015flik de\u011fildir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Risale-i Nur&#8217;un Kur&#8217;\u00e2n&#8217;a bak\u0131\u015f\u0131n\u0131 hakk\u0131yla yans\u0131tmaktan hayli uzak da olsa, bu \u00e7al\u0131\u015fmam\u0131z, Risale-i Nur&#8217;un Kur&#8217;\u00e2n&#8217;a bir haz\u0131rl\u0131k okulu oldu\u011funu da zann\u0131m\u0131zca hissettirmektedir. O, nazarlar\u0131 kendine de\u011fil Kur&#8217;\u00e2n&#8217;a y\u00f6neltmekte, zihinlerimizi ve kalblerimizi Kur&#8217;\u00e2n&#8217;a haz\u0131rlamaktad\u0131r. Said Nurs\u00ee&#8217;nin, Risale-i Nur hakk\u0131ndaki <span style=\"color: #800000;\"><strong>&#8220;Dava de\u011fil, dava i\u00e7inde b\u00fcrhand\u0131r&#8221;<\/strong><\/span> ifadesi, bu \u00e7er\u00e7evede ciddiyetle tahlil edilmesi gereken manidar bir s\u00f6z h\u00fckm\u00fcndedir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bir di\u011fer husus Risale-i Nur&#8217;un Kur&#8217;\u00e2n&#8217;\u0131 yaln\u0131z l\u00e2fz ve m\u00e2n\u00e2 itibar\u0131yla de\u011fil, usul ve \u00fcslub itibar\u0131yla da \u00fcstad edinmesidir. Onun, Kur&#8217;\u00e2n&#8217;dan al\u0131nan ders ile <strong>&#8220;temsil&#8221;<\/strong> ve <strong>&#8220;tekrar&#8221;<\/strong> \u00fczerine kurulmas\u0131, bunun bir delilidir. Hitab\u0131nda havass\u0131n de\u011fil, av\u00e2m\u0131n anlamas\u0131n\u0131 esas almas\u0131 da, Kur&#8217;\u00e2n bunu ders verdi\u011fi i\u00e7indir. Yaln\u0131z akl\u0131 muhatap almay\u0131p kalb ve ruha hitab etmesi de bu s\u0131rdand\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Rahmet-i Rahman&#8217;dan umulur ki, bizleri Kur&#8217;\u00e2n&#8217;\u0131n nuran\u00ee iklimine haz\u0131rlayan Risale-i Nur&#8217;a kar\u015f\u0131 ciddi bir muhatabiyet ger\u00e7ekle\u015fir. Bir yanda Risale-i Nur&#8217;a talip olan bizlerin tenbel\u00e2ne ve kusurlu yakla\u015f\u0131m\u0131, \u00f6te yanda kimi ehl-i dinin kay\u0131ts\u0131z ve yer yer yan\u0131lt\u0131c\u0131 tavr\u0131, umulur ki son bulur.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">\u015eu karanl\u0131k \u00e7a\u011fda Kur&#8217;\u00e2n&#8217;\u0131n nuruna her as\u0131rdan daha ziyade muhta\u00e7 olan bizlerin buna o kadar ihtiyac\u0131 var ki&#8230;6<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<hr style=\"height: 4px; width: 555px;\" size=\"4\" \/>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Dipnotlar<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">1. M\u00fcellifin, eserin T\u00fcrk\u00e7e \u00e7evirisinin sonuna d\u00fc\u015ft\u00fc\u011f\u00fc not, manidar bir n\u00fckte y\u00fckl\u00fcd\u00fcr. Burada, sonraki hemen hemen t\u00fcm risalelerin de bu \u00e2yetle bitti\u011fine at\u0131fla \u015fu s\u00f6zlere yer verilir: <strong>&#8220;\u015eimdi anlad\u0131m ki: tefsirim de, \u015fu \u00e2yet ile hitam buluyor. Demek in\u015faallah b\u00fct\u00fcn S\u00f6zler, hakik\u00ee bir tefsir ve \u015fu \u00e2yetin bahrinden birer cedveldir. En nihayet, yine o denize d\u00f6k\u00fcl\u00fcyorlar. \u015eu tefsirin hitam\u0131nda, g\u00fbya her S\u00f6z, manen \u015fu \u00e2yetten ba\u015fl\u0131yor. Demek o zamandanberi, yirmi senedir daha \u015fu \u00e2yeti tefsir ediyorum, bitiremedim ki tefsirin ikinci cildini yazay\u0131m.&#8221;<\/strong><\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Yine T\u00fcrk\u00e7e \u00e7eviri i\u00e7in yaz\u0131lan <strong>&#8220;\u0130fadet\u00fc&#8217;l-Meram&#8221;<\/strong>da, bu tefsirin devam etmemesinin di\u011fer bir gerek\u00e7esi \u015f\u00f6yle a\u00e7\u0131klan\u0131r:<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<blockquote>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">&#8220;\u015eu \u0130\u015f\u00e2r\u00e2t\u00fc&#8217;l-\u0130&#8217;caz adl\u0131 eserimi, hakik\u00ee bir tefsir niyetiyle yapmad\u0131m; ancak ulema-y\u0131 \u0130sl\u00e2mdan ehl-i tahkikin takdirlerine mazhar oldu\u011fu takdirde, uzak bir istikbalde yap\u0131lacak y\u00fcksek bir tefsire bir \u00f6rnek ve bir me&#8217;haz olmak \u00fczere o zamanlar\u0131n insanlar\u0131na bir yadig\u00e2r maksad\u0131yle yapt\u0131m.&#8221;<\/span><\/p>\n<\/blockquote>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Bu s\u00f6zleri muhterem m\u00fcellifin manev\u00ee bir vasiyeti olarak alg\u0131lamak gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcyorum. Bu <strong>&#8220;\u00f6rnek&#8221;<\/strong> tefsirin Ezher&#8217;de tefsir usul\u00fc ders kitab\u0131 olarak okutulmaya ba\u015flanmas\u0131, <strong>&#8220;o zamanlar\u0131n&#8221;<\/strong> art\u0131k o kadar <strong>&#8220;uzak bir istikbal&#8221;<\/strong> olmad\u0131\u011f\u0131 \u00fcmidini veriyor.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">2. Resul-i Ekrem aleyhissal\u00e2tu vessel\u00e2m\u0131n <strong>&#8220;Allah&#8217;\u0131m, bana e\u015fyay\u0131 oldu\u011fu gibi g\u00f6ster&#8221;<\/strong> duas\u0131 burada \u00f6zellikle hat\u0131rlanmal\u0131d\u0131r. Bu nebev\u00ee dua, k\u00e2inat\u0131n oldu\u011fu gibi g\u00f6r\u00fcld\u00fc\u011f\u00fc takdirde Rabbimizi bildirdi\u011fini; esas\u0131nda bir marifetullah penceresi h\u00fckm\u00fcnde oldu\u011funu; onun marifetullah \u00f6n\u00fcnde bir perdeye d\u00f6n\u00fc\u015fmesinin bizim hatam\u0131zdan kaynakland\u0131\u011f\u0131n\u0131 ihsas eder.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Said Nurs\u00ee&#8217;nin semav\u00ee ve nebev\u00ee bir asla dayand\u0131rd\u0131\u011f\u0131 <strong>&#8220;m\u00e2n\u00e2-y\u0131 harf\u00ee&#8221;<\/strong> yakla\u015f\u0131m\u0131, bu \u00e7er\u00e7evede ele al\u0131nmal\u0131d\u0131r. Bu yakla\u015f\u0131m\u0131n, \u0130bn Arab\u00ee gibi b\u00fcy\u00fck mutasavv\u0131flar\u0131n huzur-u daim\u00eeye engel gibi g\u00f6rd\u00fckleri k\u00e2inat\u0131 marifetullah\u0131n aynas\u0131 ve penceresi k\u0131lma noktas\u0131ndaki \u00f6nemi ve de\u011feri i\u00e7in, bkz. Bil\u00e2l Ku\u015fp\u0131nar, <strong>&#8220;Bedi\u00fczzaman Said Nurs\u00ee&#8217;nin Tasavvuf De\u011ferlendirmesi,&#8221;<\/strong> Uluslararas\u0131 Bedi\u00fczzaman Sempozyumu 3 i\u00e7inde, (\u0130stanbul: Yeni Asya Yay., 1996), s. 452-462.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">3. Bu risalede, s\u00f6zkonusu d\u00f6rt kelime ve kelam\u0131 k\u0131rk y\u0131ll\u0131k hayat\u0131n\u0131n ve otuz y\u0131ll\u0131k tahsilinin \u00f6zeti olarak g\u00f6r\u00fcr Said Nurs\u00ee. Kelimeler<strong> &#8220;m\u00e2n\u00e2-y\u0131 ism\u00ee, m\u00e2n\u00e2-y\u0131 harf\u00ee, niyet ve nazar&#8221;<\/strong>d\u0131r. Kelamlar ise <strong>&#8220;Ben kendime malik de\u011filim, \u00f6l\u00fcm hakt\u0131r, Rabbim birdir ve ene.&#8221;<\/strong> Eski Said&#8217;in Yeni Said&#8217;e d\u00f6n\u00fc\u015fmesi s\u00fcrecinde ve b\u00fct\u00fcn\u00fcyle Risale-i Nur&#8217;da bu sekiz unsurun a\u011f\u0131rl\u0131\u011f\u0131 ve anlam\u0131 kolayca hissedilir. Bu hissedi\u015ften kendi i\u00e7 d\u00fcnyam\u0131z\u0131n hissesi ne kadar ziyade olursa, Risale-i Nur&#8217;un kap\u0131lar\u0131 da bize o kadar \u00e7ok a\u00e7\u0131lacakt\u0131r.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">4. Bu tesbit, elbette bir genellemedir. Bu vurgunun a\u011f\u0131rl\u0131k kazand\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar da elbette olmu\u015ftur ve olmaktad\u0131r. K\u00f6pr\u00fc&#8217;n\u00fcn yine bu say\u0131s\u0131nda yer alan, Dr. Yamina Bouguenaya Mermer&#8217;e ait yaz\u0131, bunun bir \u00f6rne\u011fidir. (Dr. Bouguenaya&#8217;n\u0131n Risale-i Nur&#8217;dan hareketle <strong>&#8220;Kur&#8217;\u00e2n\u00ee bir bilim&#8221;<\/strong> anlay\u0131\u015f\u0131n\u0131n anahatlar\u0131n\u0131 kurmaya \u00e7al\u0131\u015fan bu minvaldeki \u00e7al\u0131\u015fmalar\u0131n\u0131n, yak\u0131nda Karakalem Yay\u0131nlar\u0131 aras\u0131nda kitap halinde ne\u015fredilece\u011fini belirtelim. Bu t\u00fcr \u00e7al\u0131\u015fmalar artt\u0131k\u00e7a, s\u00f6z\u00fcn\u00fc etti\u011fimiz problemler in\u015faallah asgariye inecektir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">5. Muhterem Abd\u00fclkadir Bad\u0131ll\u0131 taraf\u0131ndan haz\u0131rlanan Risale-i Nur&#8217;un Kuds\u00ee Kaynaklar\u0131 adl\u0131 eser, tasnifat d\u00fczeyinde de olsa, bu y\u00f6nde \u00f6nemli bir \u00e7al\u0131\u015fma olarak takdire \u015fayand\u0131r. Ba\u015fl\u0131\u011f\u0131yla dahi bir hizmet g\u00f6rmektedir. Bu konuda yap\u0131lan her bir \u00e7al\u0131\u015fmay\u0131 -ister tasnife, ister tahlile dayal\u0131 olsun- bu problemin a\u015f\u0131lmas\u0131 y\u00f6n\u00fcnde at\u0131lm\u0131\u015f yeni bir ad\u0131m olarak m\u00fctalaa etmek gerekir.<\/span><\/p>\n<p><br class=\"spacer_\" \/><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">6. \u00dc\u00e7\u00fcnc\u00fc Uluslararas\u0131 Bedi\u00fczzaman Sempozyumunda \u00f6zellikle Arap d\u00fcnyas\u0131ndan gelen tebli\u011fler, \u00fcmit vericidir. \u00d6rnek olarak Ziyad ed-De\u011famin, Abdulgaf\u00fbr Cafer, Abdurrezzak es-Sa&#8217;d\u00ee ve ba\u015fkaca isimlerin tebli\u011flerine bak\u0131labilir. Muhterem \u0130hsan Kas\u0131m Salih\u00ee&#8217;nin Risale-i Nur K\u00fclliyat\u0131n\u0131n tamam\u0131n\u0131n Arap\u00e7a&#8217;ya terc\u00fcmesi yolundaki \u00e7al\u0131\u015fmalar\u0131ndan ve bu \u00e7al\u0131\u015fmalar\u0131n ne\u015frinden sonra ortaya \u00e7\u0131kan bu manidar geli\u015fmenin daha da g\u00fc\u00e7lenerek devam edece\u011fini umuyoruz. Bu \u00e7al\u0131\u015fmalar, umar\u0131z, t\u00fcm ehl-i iman a\u00e7\u0131s\u0131ndan bir emsal te\u015fkil eder.<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><br \/>\n<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Metin Karaba\u015fo\u011flu<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\">Ara\u015ft\u0131rmac\u0131 &#8211; Yazar<\/span><\/p>\n<p><span style=\"font-size: small; font-family: tahoma,arial,helvetica,sans-serif;\"><br \/>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;\u015eeriat kitaplar\u0131, birer \u015feffaf cam mahiyetinde olmak l\u00e2z\u0131m gelirken, m\u00fcrur-u zamanla mukallidlerin hatas\u0131 y\u00fcz\u00fcnden paslan\u0131p hicab olmu\u015flard\u0131r. Evet bu kitaplar, Kur&#8217;\u00e2n&#8217;a tefsir olmak l\u00e2z\u0131m iken ba\u015fl\u0131ba\u015f\u0131na tasnifat h\u00fckm\u00fcne ge\u00e7mi\u015flerdir&#8230;&#8221; &#8230; Res\u00e2ili&#8217;n-Nur, ne \u015eark\u0131n m\u00e2l\u00fbmat\u0131ndan, ul\u00fbmundan; ve ne de Garb\u0131n felsefe ve f\u00fcnunundan gelmi\u015f bir mal ve onlardan iktibas edilmi\u015f bir nur de\u011fildir. Belki, semav\u00ee olan [&hellip;]<\/p>\n","protected":false},"author":100000,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[169],"tags":[832,831,829,830,833,834],"class_list":["post-1251","post","type-post","status-publish","format-standard","hentry","category-risaleinurda-kuran","tag-kudsi-kaynaklar","tag-kuran-okulu","tag-kuran-ve-risaleinur","tag-risaleinur-ile-kurani-ogrenme","tag-risaleinura-muhattab-olma","tag-risaleinuru-anlama"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/risaleforum.net\/blog\/wp-json\/wp\/v2\/posts\/1251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/risaleforum.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/risaleforum.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/risaleforum.net\/blog\/wp-json\/wp\/v2\/users\/100000"}],"replies":[{"embeddable":true,"href":"https:\/\/risaleforum.net\/blog\/wp-json\/wp\/v2\/comments?post=1251"}],"version-history":[{"count":0,"href":"https:\/\/risaleforum.net\/blog\/wp-json\/wp\/v2\/posts\/1251\/revisions"}],"wp:attachment":[{"href":"https:\/\/risaleforum.net\/blog\/wp-json\/wp\/v2\/media?parent=1251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/risaleforum.net\/blog\/wp-json\/wp\/v2\/categories?post=1251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/risaleforum.net\/blog\/wp-json\/wp\/v2\/tags?post=1251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}